I-Ching












Current
Changing
Transformed
Current






06 - Sung / Conflict
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`AN THE ABYSMAL, WATER
The upper trigram, whose image is heaven, has an upward movement. The lower trigram, water, in accordance with its nature tends downward. Thus, the two halves move away from each other, giving rise to the idea of conflict.
The attribute of the Creative is strength, that of the Abysmal is danger, and guile. Where cunning has force before it, there is conflict.
A third indication of conflict, in terms of character, is presented by the combination of deep cunning within and fixed determination outwardly. A person of this character will certainly be quarrelsome.
Conflict develops when one feels himself to be in the right and runs into opposition. If one is not convinced of being in the right, opposition leads to craftiness or high-handed encroachment but not to open conflict.
If a man is entangled in a conflict, his only salvation lies in being so clear-headed and inwardly strong that he is always ready to come to terms by meeting the opponent halfway. To carry on the conflict to the bitter end has evil effects even when one is in the right, because the enmity is then perpetuated. It is important to see the great man, that is, an impartial man whose authority is great enough to terminate the conflict amicably or assure a just decision. In times of strife, crossing the great water is to be avoided, that is, dangerous enterprises are not to be begun, because in order to be successful they require concerted unity of focus. Conflict within weakens the power to conquer danger without.
Thus, in all his transactions the superior man carefully considers the beginning.
The image indicates that the causes of conflict are latent in the opposing tendencies of the two trigrams. Once these opposing tendencies appear, conflict is inevitable. To avoid it, therefore, everything must be taken carefully into consideration in the very beginning. If rights and duties are exactly defined, or if, in a group, the spiritual trends of the individuals harmonize, the cause of conflict is removed in advance.
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`AN THE ABYSMAL, WATER
The upper trigram, whose image is heaven, has an upward movement. The lower trigram, water, in accordance with its nature tends downward. Thus, the two halves move away from each other, giving rise to the idea of conflict.
The attribute of the Creative is strength, that of the Abysmal is danger, and guile. Where cunning has force before it, there is conflict.
A third indication of conflict, in terms of character, is presented by the combination of deep cunning within and fixed determination outwardly. A person of this character will certainly be quarrelsome.
The Judgement
CONFLICT. You are sincere, and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune. It furthers one to see the great man. It does not further one to cross the great water.Conflict develops when one feels himself to be in the right and runs into opposition. If one is not convinced of being in the right, opposition leads to craftiness or high-handed encroachment but not to open conflict.
If a man is entangled in a conflict, his only salvation lies in being so clear-headed and inwardly strong that he is always ready to come to terms by meeting the opponent halfway. To carry on the conflict to the bitter end has evil effects even when one is in the right, because the enmity is then perpetuated. It is important to see the great man, that is, an impartial man whose authority is great enough to terminate the conflict amicably or assure a just decision. In times of strife, crossing the great water is to be avoided, that is, dangerous enterprises are not to be begun, because in order to be successful they require concerted unity of focus. Conflict within weakens the power to conquer danger without.
The Image
Heaven and water go their opposite ways: The image of CONFLICT.Thus, in all his transactions the superior man carefully considers the beginning.
The image indicates that the causes of conflict are latent in the opposing tendencies of the two trigrams. Once these opposing tendencies appear, conflict is inevitable. To avoid it, therefore, everything must be taken carefully into consideration in the very beginning. If rights and duties are exactly defined, or if, in a group, the spiritual trends of the individuals harmonize, the cause of conflict is removed in advance.
Changing






Nine in the fifth place means:
Standstill is giving way. Good fortune for the great man who cries; "What if it should fail, what if it should fail?" In this way he ties it to a cluster of mulberry shoots.
The time undergoes a change. The right man, able to restore order, has arrived. Hence "good fortune" But such periods of transition are the very times in which we must fear and tremble. Success is assured only through greatest caution, which asks always, "What if it should fail?" When a mulberry bush is cut down, a number of unusually strong shoots sprout from the roots, hence the image of tying something to a cluster of mulberry shoots is used to symbolize the way of making success certain. Confucius says about this line: "Danger arises when a man feels secure in his position. Destruction threatens when a man seeks to preserve his worldly estate." Confusion develops when a man has put everything in order, therefore the superior man does not forget danger in his security, not ruin when he is well established, nor confusion when his affairs are in order. In this way he gains personal safety and is able to protect the empire.
Standstill is giving way. Good fortune for the great man who cries; "What if it should fail, what if it should fail?" In this way he ties it to a cluster of mulberry shoots.
The time undergoes a change. The right man, able to restore order, has arrived. Hence "good fortune" But such periods of transition are the very times in which we must fear and tremble. Success is assured only through greatest caution, which asks always, "What if it should fail?" When a mulberry bush is cut down, a number of unusually strong shoots sprout from the roots, hence the image of tying something to a cluster of mulberry shoots is used to symbolize the way of making success certain. Confucius says about this line: "Danger arises when a man feels secure in his position. Destruction threatens when a man seeks to preserve his worldly estate." Confusion develops when a man has put everything in order, therefore the superior man does not forget danger in his security, not ruin when he is well established, nor confusion when his affairs are in order. In this way he gains personal safety and is able to protect the empire.
Transformed






12 - P`i / Standstill (Stagnation)
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`UN THE RECEPTIVE, EARTH
This hexagram is the opposite of the preceding one. Heaven is above, drawing farther and farther away, while the earth below sinks farther into the depths. The creative powers are not in relation. It is a time of standstill and decline. This hexagram is linked with the seventh month (August - September), when the year has passed its zenith and autumnal decay is setting in.
Heaven and earth are out of communion and all things are benumbed. What is above has no relation to what is below, and on earth confusion and disorder prevail. The dark power is within, the light power is without. Weakness is within, harshness without. Within are the inferior, and without are the superior. The way of inferior people is in ascent, and the way of superior people is on the decline. The superior people do not allow themselves to be turned from their principles. If the possibility of exerting influence is closed to them, they nevertheless remain faithful to their principles and withdraw into seclusion.
When, owing to the influence of inferior men, mutual mistrust prevails in public life, fruitful activity is rendered impossible, because the fundaments are wrong. The superior man knows what he must do under such circumstances, and he does not allow himself to be tempted by dazzling offers to take part in public activities. This would only expose him to danger, since he cannot assent to the meanness of the others. He therefore hides his worth and withdraws into seclusion.
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`UN THE RECEPTIVE, EARTH
This hexagram is the opposite of the preceding one. Heaven is above, drawing farther and farther away, while the earth below sinks farther into the depths. The creative powers are not in relation. It is a time of standstill and decline. This hexagram is linked with the seventh month (August - September), when the year has passed its zenith and autumnal decay is setting in.
The Judgement
STANDSTILL. Evil people do not further the perseverance of the superior man. The great departs, and the small approaches.Heaven and earth are out of communion and all things are benumbed. What is above has no relation to what is below, and on earth confusion and disorder prevail. The dark power is within, the light power is without. Weakness is within, harshness without. Within are the inferior, and without are the superior. The way of inferior people is in ascent, and the way of superior people is on the decline. The superior people do not allow themselves to be turned from their principles. If the possibility of exerting influence is closed to them, they nevertheless remain faithful to their principles and withdraw into seclusion.
The Image
Heaven and earth do not unite: The image of STANDSTILL. Thus does the superior man falls back upon his inner worth in order to escape the difficulties. He does not permit himself to be honored with revenue.When, owing to the influence of inferior men, mutual mistrust prevails in public life, fruitful activity is rendered impossible, because the fundaments are wrong. The superior man knows what he must do under such circumstances, and he does not allow himself to be tempted by dazzling offers to take part in public activities. This would only expose him to danger, since he cannot assent to the meanness of the others. He therefore hides his worth and withdraws into seclusion.