I-Ching

Current

09 - Hsiao Ch`u / The Taming Power of the Small
Above: SUN THE GENTLE, WIND
Below: CH`IEN THE CREATIVE, HEAVEN
This hexagram means the force of the small, the power of the shadowy that restrains, tames, impedes. A weak line in the fourth place, that of the minister, holds the five strong lines in check. In the image it is the wind blowing across the sky. The wind restrains the clouds, the rising breath of the creative, and makes them grow dense, but as yet is not strong enough to turn them to rain. The hexagram presents a configuration of circumstances in which a strong element is temporarily held in leash by a weak element. It is only through gentleness that this can have a successful outcome.

The Judgement

THE TAMING POWER OF THE SMALL has success. Dense clouds, no rain from our western region.
This image refers to the state of affairs in China at the time when King Wên, who came originally from the west, was in the east at the court of the reigning tyrant Chou Hsin. The moment for action on a large scale had not yet arrived. King Wên could only keep the tyrant somewhat in check by friendly persuasion. Hence, the image of many clouds, promising moisture and blessing to the land, although as yet no rain falls. The situation is not unfavorable as there is a prospect of ultimate success, but there are still obstacles in the way, and we can merely take preparatory measures. Only through the small means of friendly persuasion can we exert any influence. The time has not yet come for sweeping measures, however, we may be able, to a limited extent, to act as a restraining and subduing influence. To carry out our purpose we need firm determination within, and gentleness and adaptability in external relations.

The Image

The wind drives across heaven: The image of THE TAMING POWER OF THE SMALL. Thus, the superior man refines the outward aspect of his nature.
The wind can indeed drive the clouds together in the sky, yet, being nothing but air, without solid body, it does not produce great or lasting effects. So also an individual, in times when he can produce no great effect in the outer world, can do nothing except refine the expression of his nature in small ways.

Changing

Six in the second place means:
He lends grace to the beard on his chin.
The beard is not an independent thing, it moves only with the chin. The image therefore means that form is to be considered only as a result and attribute of content. The beard is a superfluous ornament. To devote care to it for its own sake, without regard for the inner content of which it is an ornament, would bespeak a certain vanity.
Six in the fifth place means:
Grace in the hills and gardens. The roll of silk is meager and small. Humiliation, but in the end, good fortune.
A man withdraws from contact with people of the lowlands, who seek nothing but magnificence and luxury, and into the solitude of the heights. There, he finds an individual to look up to, whom he would like to have as a friend. But the gifts he has to offer are poor and few, so that he feels ashamed. However, it is not the material gifts that count, but rather the sincerity of feeling, and so all goes well in the end.

Transformed

22 - Pi / Grace
Above: KÊN KEEPING STILL, MOUNTAIN
Below: LI THE CLINGING, FIRE
This hexagram shows a fire that breaks out of the secret depths of the earth and, blazing up, illuminates and beautifies the mountain and the heavenly heights. Grace and beauty of form is necessary in any union if it is to be well-ordered and pleasing rather than disordered and chaotic.

The Judgement

GRACE has success in small matters. It is favorable to undertake something.
Grace brings success. However, it is not the essential or fundamental thing, it is only an ornament and therefore must be used sparingly and only for little things. In the lower trigram of fire, a yielding line comes between two strong lines and makes them beautiful, but the strong lines are the essential content and the weak line is the beautifying form. In the upper trigram of the mountain, the strong line takes the lead, so here again the strong element must be regarded as the decisive factor.
In nature, we see in the sky the strong light of the sun which the life of the world depends on. But this strong, essential thing is changed and given pleasing variety by the moon and the stars. In human affairs, aesthetic form comes into being when traditions exist that, strong and abiding like mountains, are made pleasing by a lucid beauty. By contemplating the forms existing in the heavens we come to understand time and its changing demands. Through contemplation of the forms existing in human society it becomes possible to shape the world.

The Image

Fire at the foot of the mountain: The image of GRACE. Thus, does the superior man proceed when clearing up current affairs, but he dare not decide controversial issues in this way.
The fire, whose light illuminates the mountain and makes it pleasing, does not shine far. In the same way, beautiful form suffices to brighten and to throw light upon matters of lesser moment, but important questions cannot be decided in this way. They require greater earnestness.