I-Ching

Current

48 - Ching / The Well
Above: K`AN THE ABYSMAL, WATER
Below: SUN THE GENTLE, WIND, WOOD
Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in ancient times were made of clay, but rather the wooden poles by which the water is hauled up from the well. The image also refers to the world of plants, which lift water out of the earth by means of their fibers. The well from which water is drawn conveys the further idea of an inexhaustible dispensing of nourishment.

The Judgement

THE WELL. The town may be changed, but the well cannot be changed. It neither decreases nor increases. They come and go and draw from the well. If one gets down almost to the water, and the rope does not go all the way, or the jug breaks, it brings misfortune.
In ancient China the capital cities were sometimes moved, partly for the sake of more favorable location, partly because of a change in dynasties. The style of architecture changed in the course of centuries, but the shape of the well has remained the same from ancient times to this day. Thus, the well is the symbol of that social structure which, evolved by mankind in meeting its most primitive needs, is independent of all political forms. Political structures change, as do nations, but the life of man with its needs remains eternally the same, which cannot be changed. Life is also inexhaustible. It grows neither less nor more, but exists for one and all. The generations come and go, and all enjoy life in its inexhaustible abundance. However, there are two prerequisites for a satisfactory political or social organization of mankind. We must go down to the very foundations of life, for any merely superficial ordering of life that leaves its deepest needs unsatisfied is as ineffectual as if no attempt at order had ever been made. Carelessness, by which the jug is broken, is also disastrous. If for instance the military defense of a state is carried to such excess that it provokes wars by which the power of the state is annihilated, this is a breaking of the jug. This hexagram applies also to the individual. Although men may differ in disposition and in education, the foundations of human nature are the same in everyone. Every human being can draw in the course of his education from the inexhaustible wellspring of the divine in man`s nature. But here likewise two dangers threaten: a man may fail in his education to penetrate to the real roots of humanity and remain fixed in convention. A partial education of this sort is as bad as none, or he may suddenly collapse and neglect his self-development completely.

The Image

Water over wood: the image of THE WELL. Thus, the superior man encourages the people at their work, and exhorts them to help one another.
The trigram Sun, wood, is below, and the trigram K`an, water, is above it. Wood sucks water upward. Just as wood as an organism imitates the action of the well, which benefits all parts of the plant, the superior man organizes human society, so that, as in a plant organism, its parts co-operate for the benefit of the whole.

Changing

Six at the beginning means:
The wild goose gradually draws near the shore. The young son is in danger. There is talk. No blame.
All the individual lines in this hexagram symbolize the gradual flight of the wild goose. The wild goose is the symbol of conjugal fidelity, because it is believed that this bird never takes another mate after the death of the first. The initial line suggests the first resting place in the flight of water birds from the water to the heights. The shore is reached. The situation is that of a lonely young man who is just starting out to make his way in life. Since no one comes to help him, his first steps are slow and hesitant, and he is surrounded by danger. Naturally he is subjected to much criticism, but these very difficulties keep him from being too hasty, and his progress is successful.
Nine in the fifth place means:
The wild goose gradually draws near the summit. For three years the woman has no child, but in the end nothing can hinder her. Good fortune.
The summit is a high place. In a high position one easily becomes isolated. One is misjudged by the very person on whom one is dependent, the woman by her husband, the official by his superior. This is the work of deceitful persons who have wormed their way in. The result is that relationships remain sterile, and nothing is accomplished. However, in the course of further development, such misunderstandings are cleared away, and reconciliation is achieved after all.

Transformed

53 - Chien / Development (Gradual Progress)
Above: SUN THE GENTLE, WIND, WOOD
Below: KÊN KEEPING STILL, MOUNTAIN
This hexagram is made up of Sun (wood, penetration) above and without, and Kên (mountain, stillness) below and within. A tree on a mountain develops slowly according to the law of its being and consequently stands firmly rooted. This gives the idea of a development that proceeds gradually, step by step. The attributes of the trigrams also point to this. Within is tranquillity, which guards against precipitate actions, and without is penetration, which makes development and progress possible.

The Judgement

DEVELOPMENT. The maiden is given in marriage. Good fortune. Perseverance furthers.
The development of events that leads to a girl following a man to his home proceeds slowly. The various formalities must be disposed of before the marriage takes place. This principle of gradual development can be applied to other situations as well, and it is always applicable where it is a matter of correct relationships based on co-operation, as for instance in the appointment of an official. The development must be allowed to take its proper course. Hasty action would not be wise. This is also true, finally, of any effort to exert influence on others, for here too, the essential factor is a correct way of development through cultivation of ones own personality. No influence such as that exerted by agitators has a lasting effect. Within the personality too, development must follow the same course if lasting results are to be achieved. Gentleness that is adaptable, but at the same time penetrating, is the outer form that should proceed from inner calm. The very gradualness of the development makes it necessary to have perseverance, for perseverance alone prevents slow progress from dwindling to nothing.

The Image

On the mountain, a tree: The image of DEVELOPMENT. Thus, the superior man abides in dignity and virtue, in order to improve the public mores.
The tree on the mountain is visible from afar, and its development influences the landscape of the entire region. It does not shoot up like a swamp plant, but its growth proceeds gradually. Thus also, the work of influencing people can be only gradual. No sudden influence or awakening is of lasting effect. Progress must be quite gradual, and in order to obtain such progress in public opinion and in the mores of the people, it is necessary for the personality to acquire influence and weight. This comes about through careful and constant work on ones own moral development.