I-Ching
Current
Changing
Transformed
Current
48 - Ching / The Well
Above: K`AN THE ABYSMAL, WATER
Below: SUN THE GENTLE, WIND, WOOD
Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in ancient times were made of clay, but rather the wooden poles by which the water is hauled up from the well. The image also refers to the world of plants, which lift water out of the earth by means of their fibers. The well from which water is drawn conveys the further idea of an inexhaustible dispensing of nourishment.
In ancient China the capital cities were sometimes moved, partly for the sake of more favorable location, partly because of a change in dynasties. The style of architecture changed in the course of centuries, but the shape of the well has remained the same from ancient times to this day. Thus, the well is the symbol of that social structure which, evolved by mankind in meeting its most primitive needs, is independent of all political forms. Political structures change, as do nations, but the life of man with its needs remains eternally the same, which cannot be changed. Life is also inexhaustible. It grows neither less nor more, but exists for one and all. The generations come and go, and all enjoy life in its inexhaustible abundance. However, there are two prerequisites for a satisfactory political or social organization of mankind. We must go down to the very foundations of life, for any merely superficial ordering of life that leaves its deepest needs unsatisfied is as ineffectual as if no attempt at order had ever been made. Carelessness, by which the jug is broken, is also disastrous. If for instance the military defense of a state is carried to such excess that it provokes wars by which the power of the state is annihilated, this is a breaking of the jug. This hexagram applies also to the individual. Although men may differ in disposition and in education, the foundations of human nature are the same in everyone. Every human being can draw in the course of his education from the inexhaustible wellspring of the divine in man`s nature. But here likewise two dangers threaten: a man may fail in his education to penetrate to the real roots of humanity and remain fixed in convention. A partial education of this sort is as bad as none, or he may suddenly collapse and neglect his self-development completely.
The trigram Sun, wood, is below, and the trigram K`an, water, is above it. Wood sucks water upward. Just as wood as an organism imitates the action of the well, which benefits all parts of the plant, the superior man organizes human society, so that, as in a plant organism, its parts co-operate for the benefit of the whole.
Above: K`AN THE ABYSMAL, WATER
Below: SUN THE GENTLE, WIND, WOOD
Wood is below, water above. The wood goes down into the earth to bring up water. The image derives from the pole-and-bucket well of ancient China. The wood represents not the buckets, which in ancient times were made of clay, but rather the wooden poles by which the water is hauled up from the well. The image also refers to the world of plants, which lift water out of the earth by means of their fibers. The well from which water is drawn conveys the further idea of an inexhaustible dispensing of nourishment.
The Judgement
THE WELL. The town may be changed, but the well cannot be changed. It neither decreases nor increases. They come and go and draw from the well. If one gets down almost to the water, and the rope does not go all the way, or the jug breaks, it brings misfortune.In ancient China the capital cities were sometimes moved, partly for the sake of more favorable location, partly because of a change in dynasties. The style of architecture changed in the course of centuries, but the shape of the well has remained the same from ancient times to this day. Thus, the well is the symbol of that social structure which, evolved by mankind in meeting its most primitive needs, is independent of all political forms. Political structures change, as do nations, but the life of man with its needs remains eternally the same, which cannot be changed. Life is also inexhaustible. It grows neither less nor more, but exists for one and all. The generations come and go, and all enjoy life in its inexhaustible abundance. However, there are two prerequisites for a satisfactory political or social organization of mankind. We must go down to the very foundations of life, for any merely superficial ordering of life that leaves its deepest needs unsatisfied is as ineffectual as if no attempt at order had ever been made. Carelessness, by which the jug is broken, is also disastrous. If for instance the military defense of a state is carried to such excess that it provokes wars by which the power of the state is annihilated, this is a breaking of the jug. This hexagram applies also to the individual. Although men may differ in disposition and in education, the foundations of human nature are the same in everyone. Every human being can draw in the course of his education from the inexhaustible wellspring of the divine in man`s nature. But here likewise two dangers threaten: a man may fail in his education to penetrate to the real roots of humanity and remain fixed in convention. A partial education of this sort is as bad as none, or he may suddenly collapse and neglect his self-development completely.
The Image
Water over wood: the image of THE WELL. Thus, the superior man encourages the people at their work, and exhorts them to help one another.The trigram Sun, wood, is below, and the trigram K`an, water, is above it. Wood sucks water upward. Just as wood as an organism imitates the action of the well, which benefits all parts of the plant, the superior man organizes human society, so that, as in a plant organism, its parts co-operate for the benefit of the whole.
Changing
Six in the third place means:
A man permits himself to be oppressed by stone, and leans on thorns and thistles. He enters the house and does not see his wife. Misfortune.
This shows a man who is restless and indecisive in times of adversity. At first, he wants to push ahead, then he encounters obstructions that mean oppression only when recklessly dealt with. He butts his head against a wall and in consequence feels himself oppressed by the wall. Then he leans on things that have in themselves no stability and that are merely a hazard for him who leans on them. Thereupon he turns back irresolutely and retires into his house, only to find, as a fresh disappointment, that his wife is not there. Confucius says about this line: "If a man permits himself to be oppressed by something that ought not to oppress him, his name will certainly be disgraced. If he leans on things upon which one cannot lean, his life will certainly be endangered." For him who is in disgrace and danger, the hour of death draws near. How can he then still see his wife?
A man permits himself to be oppressed by stone, and leans on thorns and thistles. He enters the house and does not see his wife. Misfortune.
This shows a man who is restless and indecisive in times of adversity. At first, he wants to push ahead, then he encounters obstructions that mean oppression only when recklessly dealt with. He butts his head against a wall and in consequence feels himself oppressed by the wall. Then he leans on things that have in themselves no stability and that are merely a hazard for him who leans on them. Thereupon he turns back irresolutely and retires into his house, only to find, as a fresh disappointment, that his wife is not there. Confucius says about this line: "If a man permits himself to be oppressed by something that ought not to oppress him, his name will certainly be disgraced. If he leans on things upon which one cannot lean, his life will certainly be endangered." For him who is in disgrace and danger, the hour of death draws near. How can he then still see his wife?
Nine in the fourth place means:
He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.
A well-to-do man sees the need of the lower classes and would like very much to be of help. But instead of proceeding with speed and energy where there is need, he begins in a hesitant and measured way. Then he encounters obstructions. Powerful and wealthy acquaintances draw him into their circle. He has to do as they do and cannot withdraw from them. Hence, he finds himself in great embarrassment, but the trouble is transitory. The original strength of his nature offsets the mistake he has made, and the goal is reached.
He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.
A well-to-do man sees the need of the lower classes and would like very much to be of help. But instead of proceeding with speed and energy where there is need, he begins in a hesitant and measured way. Then he encounters obstructions. Powerful and wealthy acquaintances draw him into their circle. He has to do as they do and cannot withdraw from them. Hence, he finds himself in great embarrassment, but the trouble is transitory. The original strength of his nature offsets the mistake he has made, and the goal is reached.
Transformed
47 - K`un / Oppression (Exhaustion)
Above: TUI THE JOYOUS, LAKE
Below: K`AN THE ABYSMAL, WATER
The lake is above, water below. The lake is empty and dried up. Exhaustion is expressed in yet another way: at the top, a dark line is holding down two light lines; below, a light line is hemmed in between two dark ones. The upper trigram belongs to the principle of darkness, the lower to the principle of light. Thus, everywhere superior men are oppressed and held in restraint by inferior men.
Times of adversity are the reverse of times of success, but they can lead to success if they befall the right man. When a strong man meets with adversity, he remains cheerful despite all danger, and this cheerfulness is the source of later successes. It is that stability which is stronger than fate. He who lets his spirit be broken by exhaustion certainly has no success. If adversity only bends a man, it creates in him a power to react that is bound in time to manifest itself. No inferior man is capable of this. Only the great man brings about good fortune and remains blameless. It is true that for the time being outward influence is denied him, because his words have no effect. Therefore, in times of adversity it is important to be strong within and use words sparingly.
When the water has flowed out below, the lake must dry up and become exhausted. That is fate. This symbolizes an adverse fate in human life. In such times there is nothing a man can do but acquiesce in his fate and remain true to himself. This concerns the deepest stratum of his being, for this alone is superior to all external fate.
Above: TUI THE JOYOUS, LAKE
Below: K`AN THE ABYSMAL, WATER
The lake is above, water below. The lake is empty and dried up. Exhaustion is expressed in yet another way: at the top, a dark line is holding down two light lines; below, a light line is hemmed in between two dark ones. The upper trigram belongs to the principle of darkness, the lower to the principle of light. Thus, everywhere superior men are oppressed and held in restraint by inferior men.
The Judgement
OPPRESSION. Success. Perseverance. The great man brings about good fortune. No blame. When one has something to say, it is not believed.Times of adversity are the reverse of times of success, but they can lead to success if they befall the right man. When a strong man meets with adversity, he remains cheerful despite all danger, and this cheerfulness is the source of later successes. It is that stability which is stronger than fate. He who lets his spirit be broken by exhaustion certainly has no success. If adversity only bends a man, it creates in him a power to react that is bound in time to manifest itself. No inferior man is capable of this. Only the great man brings about good fortune and remains blameless. It is true that for the time being outward influence is denied him, because his words have no effect. Therefore, in times of adversity it is important to be strong within and use words sparingly.
The Image
There is no water in the lake: The image of EXHAUSTION. Thus, the superior man stakes his life On following his will.When the water has flowed out below, the lake must dry up and become exhausted. That is fate. This symbolizes an adverse fate in human life. In such times there is nothing a man can do but acquiesce in his fate and remain true to himself. This concerns the deepest stratum of his being, for this alone is superior to all external fate.