I-Ching
Current
Changing
Transformed
Current
52 - Kên / Keeping Still, Mountain
Above: KÊN KEEPING STILL, MOUNTAIN
Below: KÊN KEEPING STILL, MOUNTAIN
The image of this hexagram is the mountain, the youngest son of heaven and earth. The male principle is at the top, because it strives upward by nature, and the female principle is below, since the direction of its movement is downward. Thus, there is rest because the movement has come to its normal end. In its application to man, the hexagram turns upon the problem of achieving a quiet heart. It is very difficult to bring quiet to the heart. While Buddhism strives for rest through an ebbing away of all movement in nirvana, the Book of Changes holds that rest is merely a state of polarity that always posits movement as its complement. Possibly the words of the text embody directions for the practice of yoga.
True quiet means keeping still when the time has come to keep still, and going forward when the time has come to go forward. In this way rest and movement are in agreement with the demands of the time, and thus there is light in life. The hexagram signifies the end and the beginning of all movement. The back is named because in the back are located all the nerve fibers that mediate movement. If the movement of these spinal nerves is brought to a standstill, the ego, with its restlessness, disappears as it were. When a man has thus become calm, he may turn to the outside world. He no longer sees in it the struggle and tumult of individual beings, and therefore he has that true peace of mind which is needed for understanding the great laws of the universe and for acting in harmony with them. Whoever acts from these deep levels makes no mistakes.
The heart thinks constantly. This cannot be changed, but the metaphorical movements of the heart, (thoughts), should restrict themselves to the immediate situation. All thinking that goes beyond this only makes the heart sore.
Above: KÊN KEEPING STILL, MOUNTAIN
Below: KÊN KEEPING STILL, MOUNTAIN
The image of this hexagram is the mountain, the youngest son of heaven and earth. The male principle is at the top, because it strives upward by nature, and the female principle is below, since the direction of its movement is downward. Thus, there is rest because the movement has come to its normal end. In its application to man, the hexagram turns upon the problem of achieving a quiet heart. It is very difficult to bring quiet to the heart. While Buddhism strives for rest through an ebbing away of all movement in nirvana, the Book of Changes holds that rest is merely a state of polarity that always posits movement as its complement. Possibly the words of the text embody directions for the practice of yoga.
The Judgement
KEEPING STILL. Keeping his back still So that he no longer feels his body. He goes into his courtyard And does not see his people. No blame.True quiet means keeping still when the time has come to keep still, and going forward when the time has come to go forward. In this way rest and movement are in agreement with the demands of the time, and thus there is light in life. The hexagram signifies the end and the beginning of all movement. The back is named because in the back are located all the nerve fibers that mediate movement. If the movement of these spinal nerves is brought to a standstill, the ego, with its restlessness, disappears as it were. When a man has thus become calm, he may turn to the outside world. He no longer sees in it the struggle and tumult of individual beings, and therefore he has that true peace of mind which is needed for understanding the great laws of the universe and for acting in harmony with them. Whoever acts from these deep levels makes no mistakes.
The Image
Mountains standing close together: The image of KEEPING STILL. Thus, the superior man does not permit his thoughts to go beyond his situation.The heart thinks constantly. This cannot be changed, but the metaphorical movements of the heart, (thoughts), should restrict themselves to the immediate situation. All thinking that goes beyond this only makes the heart sore.
Changing
Nine in the second place means:
There is a fish in the tank. No blame.
The inferior element is not overcome by violence but is kept under gentle control. Then, nothing evil is to be feared. Care must be taken not to let the inferior element come in contact with those further away, because once free, it would unfold its evil aspects unchecked.
There is a fish in the tank. No blame.
The inferior element is not overcome by violence but is kept under gentle control. Then, nothing evil is to be feared. Care must be taken not to let the inferior element come in contact with those further away, because once free, it would unfold its evil aspects unchecked.
Nine in the third place means:
There is no skin on his thighs, and walking comes hard. If one is mindful of the danger, no great mistake is made.
There is a temptation to fall in with the evil element offering itself which is a very dangerous situation. Fortunately, circumstances prevent this. One would like to do it, but cannot. This leads to painful indecision in behavior, but if we gain clear insight into the danger of the situation, we shall at least avoid more serious mistakes.
There is no skin on his thighs, and walking comes hard. If one is mindful of the danger, no great mistake is made.
There is a temptation to fall in with the evil element offering itself which is a very dangerous situation. Fortunately, circumstances prevent this. One would like to do it, but cannot. This leads to painful indecision in behavior, but if we gain clear insight into the danger of the situation, we shall at least avoid more serious mistakes.
Nine in the fifth place means:
A melon covered with willow leaves. Hidden lines. Then, blessings drop down to one as if from heaven.
The melon, like the fish, is a symbol of the principle of darkness. It is sweet but spoils easily and for this reason is protected with a covering of willow leaves. This is a situation in which a strong, superior, well-poised man tolerates and protects the inferiors in his charge. He has the firm lines of order and beauty within himself but he does not lay stress upon them. He does not bother his subordinates with outward show or tiresome admonitions but leaves them quite free, putting his trust in the transforming power of a strong and upright personality. And behold! Fate is favorable. His inferiors respond to his influence and fall to his disposition like ripe fruit.
A melon covered with willow leaves. Hidden lines. Then, blessings drop down to one as if from heaven.
The melon, like the fish, is a symbol of the principle of darkness. It is sweet but spoils easily and for this reason is protected with a covering of willow leaves. This is a situation in which a strong, superior, well-poised man tolerates and protects the inferiors in his charge. He has the firm lines of order and beauty within himself but he does not lay stress upon them. He does not bother his subordinates with outward show or tiresome admonitions but leaves them quite free, putting his trust in the transforming power of a strong and upright personality. And behold! Fate is favorable. His inferiors respond to his influence and fall to his disposition like ripe fruit.
Transformed
44 - Kou / Coming to Meet
Above: CH`IEN THE CREATIVE, HEAVEN
Below: SUN THE GENTLE, WIND
This hexagram indicates a situation in which the principle of darkness, after having been eliminated, furtively and unexpectedly intrudes again from within and below. Of its own accord the female principle comes to meet the male. It is an unfavorable and dangerous situation, and we must understand and promptly prevent the possible consequences. The hexagram is linked with the fifth month (June-July), because at the summer solstice the principle of darkness gradually becomes ascendant again.
The rise of the inferior element is pictured here in the image of a bold girl who lightly surrenders herself and thus seizes power. This would not be possible if the strong and light-giving element had not in turn come halfway. The inferior thing seems so harmless and inviting that a man delights in it, as it looks so small and weak that he imagines he may dally with it and come to no harm. The inferior man rises only because the superior man does not regard him as dangerous and so lends him power. If he were resisted from the first, he could never gain influence. The time of COMING TO MEET is important in still another way. Although as a general rule the weak should not come to meet the strong, there are times when this has great significance. When heaven and earth come to meet each other, all creatures prosper. When a prince and his official come to meet each other, the world is put in order. It is necessary for elements predestined to be joined and mutually dependent to come to meet one another halfway, but the coming together must be free of dishonest ulterior motives, otherwise harm will result.
The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW). In the latter the wind blows over the earth, here it blows under heaven. In both cases it goes everywhere. There the wind is on the earth and symbolizes the ruler taking note of the conditions in his kingdom, and here the wind blows from above and symbolizes the influence exercised by the ruler through his commands. Heaven is far from the things of earth, but it sets them in motion by means of the wind. The ruler is far form his people, but he sets them in motion by means of his commands and decrees.
Above: CH`IEN THE CREATIVE, HEAVEN
Below: SUN THE GENTLE, WIND
This hexagram indicates a situation in which the principle of darkness, after having been eliminated, furtively and unexpectedly intrudes again from within and below. Of its own accord the female principle comes to meet the male. It is an unfavorable and dangerous situation, and we must understand and promptly prevent the possible consequences. The hexagram is linked with the fifth month (June-July), because at the summer solstice the principle of darkness gradually becomes ascendant again.
The Judgement
COMING TO MEET. The maiden is powerful. One should not marry such a maiden.The rise of the inferior element is pictured here in the image of a bold girl who lightly surrenders herself and thus seizes power. This would not be possible if the strong and light-giving element had not in turn come halfway. The inferior thing seems so harmless and inviting that a man delights in it, as it looks so small and weak that he imagines he may dally with it and come to no harm. The inferior man rises only because the superior man does not regard him as dangerous and so lends him power. If he were resisted from the first, he could never gain influence. The time of COMING TO MEET is important in still another way. Although as a general rule the weak should not come to meet the strong, there are times when this has great significance. When heaven and earth come to meet each other, all creatures prosper. When a prince and his official come to meet each other, the world is put in order. It is necessary for elements predestined to be joined and mutually dependent to come to meet one another halfway, but the coming together must be free of dishonest ulterior motives, otherwise harm will result.
The Image
Under heaven, wind: The image of COMING TO MEET. Thus does the Prince act when disseminating his commands, and proclaiming them to the four quarters of heaven.The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW). In the latter the wind blows over the earth, here it blows under heaven. In both cases it goes everywhere. There the wind is on the earth and symbolizes the ruler taking note of the conditions in his kingdom, and here the wind blows from above and symbolizes the influence exercised by the ruler through his commands. Heaven is far from the things of earth, but it sets them in motion by means of the wind. The ruler is far form his people, but he sets them in motion by means of his commands and decrees.