I-Ching
Current
Changing
Transformed
Current
30 - Li / The Clinging, Fire
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
The Judgement
THE CLINGING. Perseverance furthers. It brings success. Care of the cow brings good fortune.What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
The Image
That which is bright rises twice: The image of FIRE. Thus the great man, by perpetuating this brightness, illumines the four quarters of the world.Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.
Changing
Six at the beginning means:
Enthusiasm that expresses itself brings misfortune.
A man in an inferior position has aristocratic connections about which he boasts enthusiastically. This arrogance inevitably invites misfortune. Enthusiasm should never be an egotistic emotion, as it is justified only when it is a general feeling that unites one with others.
Enthusiasm that expresses itself brings misfortune.
A man in an inferior position has aristocratic connections about which he boasts enthusiastically. This arrogance inevitably invites misfortune. Enthusiasm should never be an egotistic emotion, as it is justified only when it is a general feeling that unites one with others.
Nine in the fourth place means:
The source of enthusiasm. He achieves great things. Doubt not. You gather friends around you ss a hair clasp gathers the hair.
This describes a man who is able to awaken enthusiasm through his own sureness and freedom from hesitation. He attracts people because he has no doubts and is wholly sincere. Owing to his confidence in them, he wins their enthusiastic co-operation and attains success. Just as a clasp draws the hair together and holds it, so he draws men together by the support he gives them.
The source of enthusiasm. He achieves great things. Doubt not. You gather friends around you ss a hair clasp gathers the hair.
This describes a man who is able to awaken enthusiasm through his own sureness and freedom from hesitation. He attracts people because he has no doubts and is wholly sincere. Owing to his confidence in them, he wins their enthusiastic co-operation and attains success. Just as a clasp draws the hair together and holds it, so he draws men together by the support he gives them.
Six at the top means:
Deluded enthusiasm, but if after completion one changes, there is no blame.
It is a bad thing for a man to let himself be deluded by enthusiasm. But if this delusion has run its course, and he is still capable of changing, then he is freed of error. A sober awakening from false enthusiasm is quite possible and very favorable.
Deluded enthusiasm, but if after completion one changes, there is no blame.
It is a bad thing for a man to let himself be deluded by enthusiasm. But if this delusion has run its course, and he is still capable of changing, then he is freed of error. A sober awakening from false enthusiasm is quite possible and very favorable.
Transformed
16 - Yü / Enthusiasm
Above: CHÊN THE AROUSING, THUNDER
Below: K`UN THE RECEPTIVE, EARTH
The strong line in the fourth place, that of the leading official, meets with response and obedience from all the other lines, which are all weak. The attribute of the upper trigram, Chên, is movement; the attributes of K`un, the lower, are obedience and devotion. This begins a movement that meets with devotion and therefore inspires enthusiasm, carrying all with it. Of great importance, furthermore, is the law of movement along the lines of least resistance, which in this hexagram is enunciated as the law for natural events and for human life.
The time of ENTHUSIASM derives from the fact that there is at hand an eminent man who is in sympathy with the spirit of the people and acts in accord with it. Hence, he finds universal and willing obedience. To arouse enthusiasm it is necessary for a man to adjust himself and his ordinances to the character of those whom he has to lead. The inviolability of natural laws rests on this principle of movement along the lines of least resistance. These laws are not forces external to things but represent the harmony of movement immanent in them. That is why the celestial bodies do not deviate from their orbits and why all events in nature occur with fixed regularity. It is the same with human society: only such laws are rooted in popular sentiment can be enforced, while laws violating this sentiment merely arouse resentment.
Again, it is enthusiasm that enables us to install helpers for the completion of an undertaking without fear of secret opposition. It is enthusiasm too, that can unify mass movements, as in war, so that they achieve victory.
When, at the beginning of summer, thunder and electrical energy comes rushing forth from the earth again, and the first thunderstorms refresh nature, a prolonged state of tension is resolved. Joy and relief make themselves felt. So too, music has power to ease tension within the heart and to loosen the grip of obscure emotions. The enthusiasm of the heart expresses itself involuntarily in a burst of song, in dance and rhythmic movement of the body. From immemorial times the inspiring effect of the invisible sound that moves all hearts, and draws them together, has mystified mankind.
Rulers have made use of this natural taste for music, and they elevated and regulated it. Music was looked upon as something serious and holy, designed to purify the feelings of men. It fell to music to glorify the virtues of heroes and thus to construct a bridge to the world of the unseen. In the temple men drew near to God with music and pantomimes (out of this later the theater developed). Religious feeling for the Creator of the world was united with the most sacred of human feelings, that of reverence for the ancestors. The ancestors were invited to these divine services as guests. of the Ruler of Heaven and as representatives of humanity in the higher regions. This uniting of the human past with the Divinity in solemn moments of religious inspiration established the bond between God and man. The ruler who revered the Divinity in revering his ancestors became thereby the Son of Heaven, in whom the heavenly and the earthly world met in mystical contact.
These ideas are the final summation of Chinese culture. Confucius has said of the great sacrifice at which these rites were performed: "He who could wholly comprehend this sacrifice could rule the world as though it were spinning on his hand.".
Above: CHÊN THE AROUSING, THUNDER
Below: K`UN THE RECEPTIVE, EARTH
The strong line in the fourth place, that of the leading official, meets with response and obedience from all the other lines, which are all weak. The attribute of the upper trigram, Chên, is movement; the attributes of K`un, the lower, are obedience and devotion. This begins a movement that meets with devotion and therefore inspires enthusiasm, carrying all with it. Of great importance, furthermore, is the law of movement along the lines of least resistance, which in this hexagram is enunciated as the law for natural events and for human life.
The Judgement
ENTHUSIASM. It furthers one to install helpers, and to set armies marching.The time of ENTHUSIASM derives from the fact that there is at hand an eminent man who is in sympathy with the spirit of the people and acts in accord with it. Hence, he finds universal and willing obedience. To arouse enthusiasm it is necessary for a man to adjust himself and his ordinances to the character of those whom he has to lead. The inviolability of natural laws rests on this principle of movement along the lines of least resistance. These laws are not forces external to things but represent the harmony of movement immanent in them. That is why the celestial bodies do not deviate from their orbits and why all events in nature occur with fixed regularity. It is the same with human society: only such laws are rooted in popular sentiment can be enforced, while laws violating this sentiment merely arouse resentment.
Again, it is enthusiasm that enables us to install helpers for the completion of an undertaking without fear of secret opposition. It is enthusiasm too, that can unify mass movements, as in war, so that they achieve victory.
The Image
Thunder comes resounding out of the earth: The image of ENTHUSIASM. Thus, the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, and inviting their ancestors to be present.When, at the beginning of summer, thunder and electrical energy comes rushing forth from the earth again, and the first thunderstorms refresh nature, a prolonged state of tension is resolved. Joy and relief make themselves felt. So too, music has power to ease tension within the heart and to loosen the grip of obscure emotions. The enthusiasm of the heart expresses itself involuntarily in a burst of song, in dance and rhythmic movement of the body. From immemorial times the inspiring effect of the invisible sound that moves all hearts, and draws them together, has mystified mankind.
Rulers have made use of this natural taste for music, and they elevated and regulated it. Music was looked upon as something serious and holy, designed to purify the feelings of men. It fell to music to glorify the virtues of heroes and thus to construct a bridge to the world of the unseen. In the temple men drew near to God with music and pantomimes (out of this later the theater developed). Religious feeling for the Creator of the world was united with the most sacred of human feelings, that of reverence for the ancestors. The ancestors were invited to these divine services as guests. of the Ruler of Heaven and as representatives of humanity in the higher regions. This uniting of the human past with the Divinity in solemn moments of religious inspiration established the bond between God and man. The ruler who revered the Divinity in revering his ancestors became thereby the Son of Heaven, in whom the heavenly and the earthly world met in mystical contact.
These ideas are the final summation of Chinese culture. Confucius has said of the great sacrifice at which these rites were performed: "He who could wholly comprehend this sacrifice could rule the world as though it were spinning on his hand.".