I-Ching
Current
Changing
Transformed
Current
50 - Ting / The Caldron
Above: LI THE CLINGING, FIRE
Below: SUN THE GENTLE, WIND, WOOD
The six lines construct the image of Ting, THE CALDRON. At the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image suggests the idea of nourishment. The ting, cast of bronze, was the vessel that held the cooked viands in the temple of the ancestors and at banquets. The heads of the family served the food from the ting into the bowls of the guests. THE WELL (48) likewise has the secondary meaning of giving nourishment, but rather more in relation to the people. The ting, as a utensil pertaining to a refined civilization, suggests the fostering and nourishing of able men, which redounded to the benefit of the state. This hexagram and THE WELL are the only two in the Book of Changes that represent concrete, man-made objects. Yet here too the thought has its abstract connotation. Sun, below, is wood and wind, and Li, above, is flame. Together they stand for the flame kindled by wood and wind, which likewise suggests the idea of preparing food.
While THE WELL relates to the social foundation of our life, and this foundation is likened to the water that serves to nourish growing wood, the present hexagram refers to the cultural superstructure of society. Here it is the wood that serves as nourishment for the flame, the spirit. All that is visible must grow beyond itself, extend into the realm of the invisible. Thereby it receives its true consecration and clarity and takes firm root in the cosmic order. Here we see civilization as it reaches its culmination in religion. The ting serves in offering sacrifice to God. The highest earthly values must be sacrificed to the divine, but the truly divine does not manifest itself apart from man. The supreme revelation of God appears in prophets and holy men. To venerate them is true veneration of God. The will of God, as revealed through them, should be accepted in humility, and this brings inner enlightenment and true understanding of the world, which leads to great good fortune and success.
The fate of fire depends on wood. As long as there is wood below, the fire burns above. It is the same in human life. There is in man likewise a fate that lends power to his life. And if he succeeds in assigning the right place to life and to fate, thus bringing the two into harmony, he puts his fate on a firm footing. These words contain hints about the fostering of life as handed on by oral tradition in the secret teachings of Chinese yoga.
Above: LI THE CLINGING, FIRE
Below: SUN THE GENTLE, WIND, WOOD
The six lines construct the image of Ting, THE CALDRON. At the bottom are the legs, over them the belly, then come the ears (handles), and at the top the carrying rings. At the same time, the image suggests the idea of nourishment. The ting, cast of bronze, was the vessel that held the cooked viands in the temple of the ancestors and at banquets. The heads of the family served the food from the ting into the bowls of the guests. THE WELL (48) likewise has the secondary meaning of giving nourishment, but rather more in relation to the people. The ting, as a utensil pertaining to a refined civilization, suggests the fostering and nourishing of able men, which redounded to the benefit of the state. This hexagram and THE WELL are the only two in the Book of Changes that represent concrete, man-made objects. Yet here too the thought has its abstract connotation. Sun, below, is wood and wind, and Li, above, is flame. Together they stand for the flame kindled by wood and wind, which likewise suggests the idea of preparing food.
The Judgement
THE CALDRON. Supreme good fortune. Success.While THE WELL relates to the social foundation of our life, and this foundation is likened to the water that serves to nourish growing wood, the present hexagram refers to the cultural superstructure of society. Here it is the wood that serves as nourishment for the flame, the spirit. All that is visible must grow beyond itself, extend into the realm of the invisible. Thereby it receives its true consecration and clarity and takes firm root in the cosmic order. Here we see civilization as it reaches its culmination in religion. The ting serves in offering sacrifice to God. The highest earthly values must be sacrificed to the divine, but the truly divine does not manifest itself apart from man. The supreme revelation of God appears in prophets and holy men. To venerate them is true veneration of God. The will of God, as revealed through them, should be accepted in humility, and this brings inner enlightenment and true understanding of the world, which leads to great good fortune and success.
The Image
Fire over wood: The image of THE CALDRON. Thus, the superior man consolidates his fate By making his position correct.The fate of fire depends on wood. As long as there is wood below, the fire burns above. It is the same in human life. There is in man likewise a fate that lends power to his life. And if he succeeds in assigning the right place to life and to fate, thus bringing the two into harmony, he puts his fate on a firm footing. These words contain hints about the fostering of life as handed on by oral tradition in the secret teachings of Chinese yoga.
Changing
Six at the beginning means:
Pushing upward that meets with confidence, and brings great good fortune.
This situation is at the beginning of ascent. Just as wood draws strength for its upward push from the root, which in itself is in the lowest place, so the power to rise comes from this low and obscure station. There is a spiritual affinity with the rulers above, and this solidarity creates the confidence needed to accomplish something.
Pushing upward that meets with confidence, and brings great good fortune.
This situation is at the beginning of ascent. Just as wood draws strength for its upward push from the root, which in itself is in the lowest place, so the power to rise comes from this low and obscure station. There is a spiritual affinity with the rulers above, and this solidarity creates the confidence needed to accomplish something.
Nine in the third place means:
One pushes upward into an empty city.
All obstructions that generally block progress fall away here. Things proceed with remarkable ease. Unhesitatingly one follows this road, in order to profit by ones success. Seen from without, everything seems to be in the best of order. However, no promise of good fortune is added. It is a question how long such unobstructed success can last. However, it is not wise to yield to such misgivings, because they only inhibit ones power. Instead, the point is to profit by the propitiousness of time.
One pushes upward into an empty city.
All obstructions that generally block progress fall away here. Things proceed with remarkable ease. Unhesitatingly one follows this road, in order to profit by ones success. Seen from without, everything seems to be in the best of order. However, no promise of good fortune is added. It is a question how long such unobstructed success can last. However, it is not wise to yield to such misgivings, because they only inhibit ones power. Instead, the point is to profit by the propitiousness of time.
Transformed
46 - Shêng / Pushing Upward
Above: K`UN THE RECEPTIVE, EARTH
Below: SUN THE GENTLE, WIND, WOOD
The lower trigram, Sun, represents wood, and the upper, K`un, means the earth. Linked with this is the idea that wood from the earth grows upward. In contrast to the meaning of Chin, PROGRESS (35), this pushing upward is associated with effort, just as a plant needs energy for pushing upward through the earth. That is why this hexagram, although it is connected with success, is associated with effort of the will. In PROGRESS the emphasis is on expansion; PUSHING UPWARD indicates rather a vertical ascent, or direct rise from obscurity and lowliness to power and influence.
The pushing upward of the good elements encounter no obstructions and are therefore accompanied by great success. The pushing upward is made possible not by violence but by modesty and adaptability. Since the individual is borne along by the propitiousness of the time, he advances. He must go to see authoritative people. He need not be afraid to do this, because success is assured, but he must set to work, for activity (the meaning of "the south") brings good fortune.
Adapting itself to obstacles and bending around them, wood in the earth grows upward without haste and without rest. Thus too, the superior man is devoted in character and never pauses in his progress.
Above: K`UN THE RECEPTIVE, EARTH
Below: SUN THE GENTLE, WIND, WOOD
The lower trigram, Sun, represents wood, and the upper, K`un, means the earth. Linked with this is the idea that wood from the earth grows upward. In contrast to the meaning of Chin, PROGRESS (35), this pushing upward is associated with effort, just as a plant needs energy for pushing upward through the earth. That is why this hexagram, although it is connected with success, is associated with effort of the will. In PROGRESS the emphasis is on expansion; PUSHING UPWARD indicates rather a vertical ascent, or direct rise from obscurity and lowliness to power and influence.
The Judgement
PUSHING UPWARD has supreme success. One must see the great man. Fear not. Departure toward the south brings good fortune.The pushing upward of the good elements encounter no obstructions and are therefore accompanied by great success. The pushing upward is made possible not by violence but by modesty and adaptability. Since the individual is borne along by the propitiousness of the time, he advances. He must go to see authoritative people. He need not be afraid to do this, because success is assured, but he must set to work, for activity (the meaning of "the south") brings good fortune.
The Image
Within the earth, wood grows: The image of PUSHING UPWARD. Thus, the superior man of devoted character heaps up small things in order to achieve something high and great.Adapting itself to obstacles and bending around them, wood in the earth grows upward without haste and without rest. Thus too, the superior man is devoted in character and never pauses in his progress.