I-Ching
Current
Changing
Transformed
Current
54 - Kuei Mei / The Marrying Maiden
Above: CHÊN THE AROUSING, THUNDER
Below: TUI THE JOYOUS, LAKE
Above we have Chên, the eldest son, and below, Tui, the youngest daughter. The man leads and the girl follows him in gladness. The picture is that of the entrance of the girl into her husbands house. In all, there are four hexagrams depicting the relationship between husband and wife. Hsien, INFLUENCE, (31), describes the attraction that a young couple have for each other. Hêng, DURATION (32), portrays the permanent relationships of marriage, Chien, DEVELOPMENT (53), reflects the protracted, ceremonious procedures attending the arrangement of a proper marriage. Finally, Kuei Mei, THE MARRYING MAIDEN, shows a young girl under the guidance of an older man who marries her.
A girl who is taken into the family, but not as the chief wife, must behave with special caution and reserve. She must not take it upon herself to supplant the mistress of the house, for that would mean disorder and lead to untenable relationships. The same is true of all voluntary relationships between human beings. While legally regulated relationships evince a fixed connection between duties and rights, relationships based on personal inclination depend in the long run entirely on tactful reserve. Affection as the essential principle of relatedness is of the greatest importance in all relationships in the world. For the union of heaven and earth is the origin of the whole of nature. Among human beings likewise, spontaneous affection is the all-inclusive principle of union.
Thunder stirs the water of the lake, which follows it in shimmering waves. This symbolizes the girl who follows the man of her choice. However, every relationship between individuals bears within it the danger that wrong turns may be taken, leading to endless misunderstandings and disagreements. Therefore, it is necessary constantly to remain mindful of the end. If we permit ourselves to drift along, we come together and are parted again as the day may determine. If on the other hand a man fixes his mind on an end that endures, he will succeed in avoiding the reefs that confront the closer relationships of people.
Above: CHÊN THE AROUSING, THUNDER
Below: TUI THE JOYOUS, LAKE
Above we have Chên, the eldest son, and below, Tui, the youngest daughter. The man leads and the girl follows him in gladness. The picture is that of the entrance of the girl into her husbands house. In all, there are four hexagrams depicting the relationship between husband and wife. Hsien, INFLUENCE, (31), describes the attraction that a young couple have for each other. Hêng, DURATION (32), portrays the permanent relationships of marriage, Chien, DEVELOPMENT (53), reflects the protracted, ceremonious procedures attending the arrangement of a proper marriage. Finally, Kuei Mei, THE MARRYING MAIDEN, shows a young girl under the guidance of an older man who marries her.
The Judgement
THE MARRYING MAIDEN. Undertakings bring misfortune. Nothing that would further.A girl who is taken into the family, but not as the chief wife, must behave with special caution and reserve. She must not take it upon herself to supplant the mistress of the house, for that would mean disorder and lead to untenable relationships. The same is true of all voluntary relationships between human beings. While legally regulated relationships evince a fixed connection between duties and rights, relationships based on personal inclination depend in the long run entirely on tactful reserve. Affection as the essential principle of relatedness is of the greatest importance in all relationships in the world. For the union of heaven and earth is the origin of the whole of nature. Among human beings likewise, spontaneous affection is the all-inclusive principle of union.
The Image
Thunder over the lake: The image of THE MARRYING MAIDEN. Thus, the superior man understands the transitory, in the light of the eternity of the end.Thunder stirs the water of the lake, which follows it in shimmering waves. This symbolizes the girl who follows the man of her choice. However, every relationship between individuals bears within it the danger that wrong turns may be taken, leading to endless misunderstandings and disagreements. Therefore, it is necessary constantly to remain mindful of the end. If we permit ourselves to drift along, we come together and are parted again as the day may determine. If on the other hand a man fixes his mind on an end that endures, he will succeed in avoiding the reefs that confront the closer relationships of people.
Changing
Nine in the third place means:
One pushes upward into an empty city.
All obstructions that generally block progress fall away here. Things proceed with remarkable ease. Unhesitatingly one follows this road, in order to profit by ones success. Seen from without, everything seems to be in the best of order. However, no promise of good fortune is added. It is a question how long such unobstructed success can last. However, it is not wise to yield to such misgivings, because they only inhibit ones power. Instead, the point is to profit by the propitiousness of time.
One pushes upward into an empty city.
All obstructions that generally block progress fall away here. Things proceed with remarkable ease. Unhesitatingly one follows this road, in order to profit by ones success. Seen from without, everything seems to be in the best of order. However, no promise of good fortune is added. It is a question how long such unobstructed success can last. However, it is not wise to yield to such misgivings, because they only inhibit ones power. Instead, the point is to profit by the propitiousness of time.
Six in the fourth place means:
The king offers him Mount Ch`i. Good fortune. No blame.
Mount Ch`i is in western China, the homeland of King Wên, whose son, the Duke of Chou, added the words to the individual lines. The pronouncement takes us back to a time when the Chou dynasty was coming into power. At that time King Wên introduced his illustrious helpers to the god of his native mountain, and they received their places in the halls of the ancestors by the side of the ruler. This indicates a stage in which pushing upward attains its goal. One acquires fame in the sight of gods and men, is received into the circle of those who foster the spiritual life of the nation, and thereby attains a significance that endures beyond time.
The king offers him Mount Ch`i. Good fortune. No blame.
Mount Ch`i is in western China, the homeland of King Wên, whose son, the Duke of Chou, added the words to the individual lines. The pronouncement takes us back to a time when the Chou dynasty was coming into power. At that time King Wên introduced his illustrious helpers to the god of his native mountain, and they received their places in the halls of the ancestors by the side of the ruler. This indicates a stage in which pushing upward attains its goal. One acquires fame in the sight of gods and men, is received into the circle of those who foster the spiritual life of the nation, and thereby attains a significance that endures beyond time.
Six at the top means:
Pushing upward in darkness. It furthers one to be unremittingly persevering.
He who pushes upward blindly deludes himself. He knows only advance, not retreat, and this means exhaustion. In such a case it is important to be constantly mindful that one must be conscientious and consistent and must remain so. Only thus does one become free of blind impulse, which is always harmful.
Pushing upward in darkness. It furthers one to be unremittingly persevering.
He who pushes upward blindly deludes himself. He knows only advance, not retreat, and this means exhaustion. In such a case it is important to be constantly mindful that one must be conscientious and consistent and must remain so. Only thus does one become free of blind impulse, which is always harmful.
Transformed
46 - Shêng / Pushing Upward
Above: K`UN THE RECEPTIVE, EARTH
Below: SUN THE GENTLE, WIND, WOOD
The lower trigram, Sun, represents wood, and the upper, K`un, means the earth. Linked with this is the idea that wood from the earth grows upward. In contrast to the meaning of Chin, PROGRESS (35), this pushing upward is associated with effort, just as a plant needs energy for pushing upward through the earth. That is why this hexagram, although it is connected with success, is associated with effort of the will. In PROGRESS the emphasis is on expansion; PUSHING UPWARD indicates rather a vertical ascent, or direct rise from obscurity and lowliness to power and influence.
The pushing upward of the good elements encounter no obstructions and are therefore accompanied by great success. The pushing upward is made possible not by violence but by modesty and adaptability. Since the individual is borne along by the propitiousness of the time, he advances. He must go to see authoritative people. He need not be afraid to do this, because success is assured, but he must set to work, for activity (the meaning of "the south") brings good fortune.
Adapting itself to obstacles and bending around them, wood in the earth grows upward without haste and without rest. Thus too, the superior man is devoted in character and never pauses in his progress.
Above: K`UN THE RECEPTIVE, EARTH
Below: SUN THE GENTLE, WIND, WOOD
The lower trigram, Sun, represents wood, and the upper, K`un, means the earth. Linked with this is the idea that wood from the earth grows upward. In contrast to the meaning of Chin, PROGRESS (35), this pushing upward is associated with effort, just as a plant needs energy for pushing upward through the earth. That is why this hexagram, although it is connected with success, is associated with effort of the will. In PROGRESS the emphasis is on expansion; PUSHING UPWARD indicates rather a vertical ascent, or direct rise from obscurity and lowliness to power and influence.
The Judgement
PUSHING UPWARD has supreme success. One must see the great man. Fear not. Departure toward the south brings good fortune.The pushing upward of the good elements encounter no obstructions and are therefore accompanied by great success. The pushing upward is made possible not by violence but by modesty and adaptability. Since the individual is borne along by the propitiousness of the time, he advances. He must go to see authoritative people. He need not be afraid to do this, because success is assured, but he must set to work, for activity (the meaning of "the south") brings good fortune.
The Image
Within the earth, wood grows: The image of PUSHING UPWARD. Thus, the superior man of devoted character heaps up small things in order to achieve something high and great.Adapting itself to obstacles and bending around them, wood in the earth grows upward without haste and without rest. Thus too, the superior man is devoted in character and never pauses in his progress.