I-Ching

Current

33 - TUN / Retreat
Above: CH`IEN THE CREATIVE, HEAVEN
Below: KÊN KEEPING STILL, MOUNTAIN
The power of the dark is ascending. The light retreats to security, so that the dark cannot encroach upon it. This retreat is a matter not of mans will but of natural law. Therefore, in this case withdrawal is proper. It is the correct way to behave in order not to exhaust ones forces.
In the calendar, this hexagram is linked with the sixth month (July-August), in which the forces of winter are already showing their influence.

The Judgement

RETREAT. Success in what is small, perseverance furthers.
Conditions are such that the hostile forces favored by the time are advancing. In this case retreat is the right course, and it is not to be confused with flight. Flight means saving oneself under any circumstances, whereas retreat is a sign of strength. We must be careful not to miss the right moment while we are in full possession of power and position. Then we shall be able to interpret the signs of the time before it is too late and to prepare for provisional retreat instead of being drawn into a desperate life-and-death struggle. Thus, we do not simply abandon the field to the opponent, but we make it difficult for him to advance by showing perseverance in single acts of resistance. In this way we prepare, while retreating, for the counter-movement. Understanding the laws of a constructive retreat of this sort is not easy. The meaning that lies hidden in such a time is important.

The Image

Mountain under heaven: the image of RETREAT. Thus, the superior man keeps the inferior man at a distance, not angrily but with reserve.
The mountain rises up under heaven, but owing to its nature it finally comes to a stop. Heaven on the other hand retreats upward before it into the distance and remains out of reach. This symbolizes the behavior of the superior man toward a climbing inferior. He retreats into his own thoughts as the inferior man comes forward. He does not hate him, for hatred is a form of subjective involvement by which we are bound to the hated object. The superior man shows strength (heaven) in that he brings the inferior man to a standstill (mountain) by his dignified reserve.

Changing

Nine at the beginning means:
Wrapped in the hide of a yellow cow.
Changes ought to be undertaken only when there is nothing else to be done. Therefore, at first the utmost restraint is necessary. One must become firm in ones mind and control oneself. Yellow is the color of the mean, and the cow is the symbol of docility. Refrain from doing anything for the time being, because any premature offensive will bring evil results.
Six at the top means:
The superior man changes like a panther. The inferior man molts in the face. Starting brings misfortune. To remain persevering brings good fortune.
After the large and fundamental problems are settled, certain minor reforms, and elaborations of these, are necessary. These detailed reforms may be likened to the equally distinct but relatively small marks of the panthers coat. As a consequence, a change also takes place among the inferior people. In conformity with the new order, they likewise "molt". This molting, it is true, does not go very deep, but that is not to be expected. We must be satisfied with the attainable. If we should go too far and try to achieve too much, it would lead to unrest and misfortune, for the object of a great revolution is the attainment of clarified, secure conditions ensuring a general stabilization on the basis of what is possible at the moment.

Transformed

49 - Ko / Revolution (Molting)
Above: TUI THE JOYOUS, LAKE
Below: LI THE CLINGING, FIRE
The Chinese character for this hexagram means in its original sense an animals pelt, which is changed in the course of the year by molting. From this word is carried over to apply to the metaphorical moltings in political life, the great revolutions connected with changes of governments. The two trigrams making up the hexagram are the same two that appear in K`uei, OPPOSITION (38), that is, the two younger daughters, Li and Tui. But while there the elder of the two daughters is above, and what results is essentially only an opposition of tendencies, here the younger daughter is above. The influences are in actual conflict, and the forces combat each other like fire and water (lake), each trying to destroy the other. Hence, the idea of revolution.

The Judgement

REVOLUTION. On your own day, you are believed. Supreme success in furthering through perseverance. Remorse disappears.
Political revolutions are extremely grave matters. They should be undertaken only under stress of direst necessity, when there is no other way out. Not everyone is called to this task, but only the man who has the confidence of the people, and only when the time is ripe. He must then proceed in the right way, so that he gladdens the people and, by enlightening them, prevents excesses. Furthermore, he must be quite free of selfish aims and must really relieve the needs of the people. Only then does he have nothing to regret. Times change, and with them peoples demands. Thus, the seasons change in the course of the year. In the world cycle also there are spring and autumn in the life of peoples and nations, and these call for social transformations.

The Image

Fire in the lake: the image of REVOLUTION. Thus, the superior man sets the calendar in order, and makes the seasons clear.
Fire below and the lake above combat and destroy each other. So too in the course of the year a combat takes place between the forces of light and the forces of darkness, culminating in the revolution of the seasons. Man masters these changes in nature by noting their regularity and marking off the passage of time accordingly. In this way order and clarity appear in the apparently chaotic changes of the seasons, and man is able to adjust himself in advance to the demands of the different times.