I-Ching
Current
Changing
Transformed
Current
17 - Sui / Following
Above: TUI THE JOYOUS, LAKE
Below: CHÊN THE AROUSING, THUNDER
The trigram Tui, the Joyous, whose attribute is gladness, is above. Chên, the Arousing, which has the attribute of movement, is below. Joy in movement induces following. The Joyous is symbolized by the youngest daughter, while the Arousing is the eldest son. An older man defers to a young girl and shows her consideration. By this he moves her to follow him.
In order to obtain a following one must first know how to adapt oneself. If a man would rule, he must first learn to serve, for only in this way does he secure from those below him the joyous assent that is necessary if they are to follow him. If he has to obtain a following by force or cunning, by conspiracy or by creating factions, he invariably arouses resistance, which obstructs willing adherence. But even joyous movement can lead to evil consequences, hence the added stipulation, "Perseverance furthers", that is, consistency in doing right, together with "No blame". Just as we should not ask others to follow us unless this condition is fulfilled, so it is only under this condition that we can in turn follow others without coming to harm.
The thought of obtaining a following through adaptation to the demands of the time is a great and significant idea, this is why the appended judgment is so favorable.
In the autumn, electricity withdraws into the earth again and rests. Here it is the thunder in the middle of the lake that serves as the image. Thunder in its winter rest, not thunder in motion. The idea of following in the sense of adaptation to the demands of the time grows out of this image. Thunder in the middle of the lake indicates times of darkness and rest. Similarly, a superior man, after being tirelessly active all day, allows himself rest and recuperation at night. No situation can become favorable until one is able to adapt to it and does not wear himself out with mistaken resistance.
Above: TUI THE JOYOUS, LAKE
Below: CHÊN THE AROUSING, THUNDER
The trigram Tui, the Joyous, whose attribute is gladness, is above. Chên, the Arousing, which has the attribute of movement, is below. Joy in movement induces following. The Joyous is symbolized by the youngest daughter, while the Arousing is the eldest son. An older man defers to a young girl and shows her consideration. By this he moves her to follow him.
The Judgement
FOLLOWING has supreme success. Perseverance furthers. No blame.In order to obtain a following one must first know how to adapt oneself. If a man would rule, he must first learn to serve, for only in this way does he secure from those below him the joyous assent that is necessary if they are to follow him. If he has to obtain a following by force or cunning, by conspiracy or by creating factions, he invariably arouses resistance, which obstructs willing adherence. But even joyous movement can lead to evil consequences, hence the added stipulation, "Perseverance furthers", that is, consistency in doing right, together with "No blame". Just as we should not ask others to follow us unless this condition is fulfilled, so it is only under this condition that we can in turn follow others without coming to harm.
The thought of obtaining a following through adaptation to the demands of the time is a great and significant idea, this is why the appended judgment is so favorable.
The Image
Thunder in the middle of the lake:The image of FOLLOWING. Thus, the superior man at nightfall, goes indoors for rest and recuperation.In the autumn, electricity withdraws into the earth again and rests. Here it is the thunder in the middle of the lake that serves as the image. Thunder in its winter rest, not thunder in motion. The idea of following in the sense of adaptation to the demands of the time grows out of this image. Thunder in the middle of the lake indicates times of darkness and rest. Similarly, a superior man, after being tirelessly active all day, allows himself rest and recuperation at night. No situation can become favorable until one is able to adapt to it and does not wear himself out with mistaken resistance.
Changing
Six at the beginning means:
If one does not perpetuate the affair, there is a little gossip. In the end, good fortune comes.
While a conflict is in the incipient stage, the best thing to do is to drop the issue. Especially when the adversary is stronger, it is not advisable to risk pushing the conflict to a decision. It may come to a slight dispute, but in the end all goes well.
If one does not perpetuate the affair, there is a little gossip. In the end, good fortune comes.
While a conflict is in the incipient stage, the best thing to do is to drop the issue. Especially when the adversary is stronger, it is not advisable to risk pushing the conflict to a decision. It may come to a slight dispute, but in the end all goes well.
Nine in the fifth place means:
To contend before him brings supreme good fortune.
This refers to an arbiter in a conflict who is powerful and just, and strong enough to lend weight to the right side. A dispute can be turned over to him with confidence. If one is in the right, one attains great good fortune.
To contend before him brings supreme good fortune.
This refers to an arbiter in a conflict who is powerful and just, and strong enough to lend weight to the right side. A dispute can be turned over to him with confidence. If one is in the right, one attains great good fortune.
Nine at the top means:
Even if by chance a leather belt is bestowed on one, by the end of a morning, it will have been snatched away three times.
Here we have someone who has carried a conflict to the bitter end and has triumphed. He is granted a decoration, but his happiness does not last. He is attacked again and again, and the result is conflict without end.
Even if by chance a leather belt is bestowed on one, by the end of a morning, it will have been snatched away three times.
Here we have someone who has carried a conflict to the bitter end and has triumphed. He is granted a decoration, but his happiness does not last. He is attacked again and again, and the result is conflict without end.
Transformed
06 - Sung / Conflict
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`AN THE ABYSMAL, WATER
The upper trigram, whose image is heaven, has an upward movement. The lower trigram, water, in accordance with its nature tends downward. Thus, the two halves move away from each other, giving rise to the idea of conflict.
The attribute of the Creative is strength, that of the Abysmal is danger, and guile. Where cunning has force before it, there is conflict.
A third indication of conflict, in terms of character, is presented by the combination of deep cunning within and fixed determination outwardly. A person of this character will certainly be quarrelsome.
Conflict develops when one feels himself to be in the right and runs into opposition. If one is not convinced of being in the right, opposition leads to craftiness or high-handed encroachment but not to open conflict.
If a man is entangled in a conflict, his only salvation lies in being so clear-headed and inwardly strong that he is always ready to come to terms by meeting the opponent halfway. To carry on the conflict to the bitter end has evil effects even when one is in the right, because the enmity is then perpetuated. It is important to see the great man, that is, an impartial man whose authority is great enough to terminate the conflict amicably or assure a just decision. In times of strife, crossing the great water is to be avoided, that is, dangerous enterprises are not to be begun, because in order to be successful they require concerted unity of focus. Conflict within weakens the power to conquer danger without.
Thus, in all his transactions the superior man carefully considers the beginning.
The image indicates that the causes of conflict are latent in the opposing tendencies of the two trigrams. Once these opposing tendencies appear, conflict is inevitable. To avoid it, therefore, everything must be taken carefully into consideration in the very beginning. If rights and duties are exactly defined, or if, in a group, the spiritual trends of the individuals harmonize, the cause of conflict is removed in advance.
Above: CH`IEN THE CREATIVE, HEAVEN
Below: K`AN THE ABYSMAL, WATER
The upper trigram, whose image is heaven, has an upward movement. The lower trigram, water, in accordance with its nature tends downward. Thus, the two halves move away from each other, giving rise to the idea of conflict.
The attribute of the Creative is strength, that of the Abysmal is danger, and guile. Where cunning has force before it, there is conflict.
A third indication of conflict, in terms of character, is presented by the combination of deep cunning within and fixed determination outwardly. A person of this character will certainly be quarrelsome.
The Judgement
CONFLICT. You are sincere, and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune. It furthers one to see the great man. It does not further one to cross the great water.Conflict develops when one feels himself to be in the right and runs into opposition. If one is not convinced of being in the right, opposition leads to craftiness or high-handed encroachment but not to open conflict.
If a man is entangled in a conflict, his only salvation lies in being so clear-headed and inwardly strong that he is always ready to come to terms by meeting the opponent halfway. To carry on the conflict to the bitter end has evil effects even when one is in the right, because the enmity is then perpetuated. It is important to see the great man, that is, an impartial man whose authority is great enough to terminate the conflict amicably or assure a just decision. In times of strife, crossing the great water is to be avoided, that is, dangerous enterprises are not to be begun, because in order to be successful they require concerted unity of focus. Conflict within weakens the power to conquer danger without.
The Image
Heaven and water go their opposite ways: The image of CONFLICT.Thus, in all his transactions the superior man carefully considers the beginning.
The image indicates that the causes of conflict are latent in the opposing tendencies of the two trigrams. Once these opposing tendencies appear, conflict is inevitable. To avoid it, therefore, everything must be taken carefully into consideration in the very beginning. If rights and duties are exactly defined, or if, in a group, the spiritual trends of the individuals harmonize, the cause of conflict is removed in advance.