I-Ching

Current

18 - Ku / Work on What Has Been Spoiled (Decay)
Above: KÊN KEEPING STILL, MOUNTAIN
Below: SUN THE GENTLE, WIND
The Chinese character Ku represents a bowl in whose contents worms are breeding. This means decay. It is come about because the gentle indifference in the lower trigram has come together with the rigid inertia of the upper, and the result is stagnation. Since this implies guilt, the conditions embody a demand for removal of the cause. Hence, the meaning of the hexagram is not simply "what has been spoiled" but "work on what has been spoiled".

The Judgement

WORK ON WHAT HAS BEEN SPOILED has supreme success. It furthers one to cross the great water. Before the starting point, three days, after the starting point, three days.
What has been spoiled through man`s fault can be made good again through man`s work. It is not immutable fate, as in the time of STANDSTILL, that has caused the state of corruption, but rather the abuse of human freedom. Work toward improving conditions promises well, because it accords the possibilities of the time. We must not recoil from work and danger, which are symbolized by "crossing of the great water", but must take hold energetically. Success depends, however, on proper deliberation. This is expressed by the lines, "Before the starting point, three days, after the starting point, three days". We must first know the causes of corruption before we can do away with them hence it is necessary to be cautious during the time before the start. Then we must see to it that the new way is safely entered upon, so that a relapse may be avoided. We must pay attention to the time after the start. Decisiveness and energy must take the place of the inertia and indifference that have led to decay, in order that the ending may be followed by a new beginning.

The Image

The wind blows low on the mountain: The image of DECAY. Thus, the superior man stirs up the people and strengthens their spirit.
When the wind blows low on the mountain, it is thrown back and spoils the vegetation. This contains a challenge to improvement. It is the same with debasing attitudes and fashions as it can be said that they corrupt human society. To do away with this corruption, the superior man must regenerate society. His methods likewise must be derived from the two trigrams, but in such a way that their effects unfold in orderly sequence. The superior man must first remove stagnation by stirring up public opinion, as the wind stirs everything, and must then strengthen and tranquillize the character of the people, as the mountain gives tranquillity and nourishment to all that grows in its vicinity.

Changing

Nine in the second place means:
He allows himself to be drawn into returning. Good fortune.
One would like to press forward, but before going farther one sees from the example of others like oneself that this way is blocked. In such a case, if the effort to push forward is not in harmony with the time, a reasonable and resolute man will not expose himself to a personal rebuff, but will retreat with others of like mind. This brings good fortune, because he does not needlessly jeopardize himself.
Nine at the top means:
The rain comes, there is rest. This is due to the lasting effect of character. Perseverance brings the woman into danger. The moon is nearly full. If the superior man persists, Misfortune comes.
Success is at hand. The wind has driven up the rain. A fixed standpoint has been reached. This has come about through the culmination of small effects produced by reverence for a superior character. A success thus secured bit by bit calls for great caution. It would be a dangerous illusion for anyone to think he could presume upon it. The female principle, the weak element that has won the victory, should never persist in vaunting it, as that would lead to danger. The dark power in the moon is strongest when the moon is almost full. When it is full and directly opposite the sun, its waning is inevitable. Under such circumstances one must be content with what has been achieved. To advance any further, before the appropriate time has come, would lead to misfortune.

Transformed

09 - Hsiao Ch`u / The Taming Power of the Small
Above: SUN THE GENTLE, WIND
Below: CH`IEN THE CREATIVE, HEAVEN
This hexagram means the force of the small, the power of the shadowy that restrains, tames, impedes. A weak line in the fourth place, that of the minister, holds the five strong lines in check. In the image it is the wind blowing across the sky. The wind restrains the clouds, the rising breath of the creative, and makes them grow dense, but as yet is not strong enough to turn them to rain. The hexagram presents a configuration of circumstances in which a strong element is temporarily held in leash by a weak element. It is only through gentleness that this can have a successful outcome.

The Judgement

THE TAMING POWER OF THE SMALL has success. Dense clouds, no rain from our western region.
This image refers to the state of affairs in China at the time when King Wên, who came originally from the west, was in the east at the court of the reigning tyrant Chou Hsin. The moment for action on a large scale had not yet arrived. King Wên could only keep the tyrant somewhat in check by friendly persuasion. Hence, the image of many clouds, promising moisture and blessing to the land, although as yet no rain falls. The situation is not unfavorable as there is a prospect of ultimate success, but there are still obstacles in the way, and we can merely take preparatory measures. Only through the small means of friendly persuasion can we exert any influence. The time has not yet come for sweeping measures, however, we may be able, to a limited extent, to act as a restraining and subduing influence. To carry out our purpose we need firm determination within, and gentleness and adaptability in external relations.

The Image

The wind drives across heaven: The image of THE TAMING POWER OF THE SMALL. Thus, the superior man refines the outward aspect of his nature.
The wind can indeed drive the clouds together in the sky, yet, being nothing but air, without solid body, it does not produce great or lasting effects. So also an individual, in times when he can produce no great effect in the outer world, can do nothing except refine the expression of his nature in small ways.