I-Ching
Current
Changing
Transformed
Current
26 - Ta Ch`u / The Taming Power of the Great
Above: KÊN KEEPING STILL, MOUNTAIN
Below: CH`IEN THE CREATIVE, HEAVEN
The Creative is tamed by Kên, Keeping Still. This produces great power, a situation in contrast to that of the ninth hexagram, Hsiao Ch`u, THE TAMING POWER OF THE SMALL, in which the Creative is tamed by the Gentle alone. There one weak line must tame five strong lines, but here four strong lines are restrained by two weak lines. In addition to a minister, there is a prince, and the restraining power therefore is far stronger. The hexagram has a threefold meaning, expressing different aspects of the concept "holding firm". Heaven within the mountain gives the idea of holding firm in the sense of holding together, as the trigram Kên which holds the trigram Ch`ien still, and gives the idea of holding firm in the sense of holding back. The third idea is that of holding firm in the sense of caring for and nourishing. This last is suggested by the fact that a strong line at the top, which is the ruler of the hexagram, is honored and tended to as a sage. The third of these meanings also attaches specifically to this strong line at the top, which represents the sage.
To hold firmly to great creative powers and store them up, as set forth in this hexagram, there is need of a strong, clear-headed man who is honored by the ruler. The trigram Ch`ein points to strong creative power, and Kên indicates firmness and truth. Both point to light and clarity and to the daily renewal of character. Only through such daily self-renewal can a man continue at the height of his powers. Force of habit helps to keep order in quiet times, but in periods when there is a great storing up of energy, everything depends on the power of the personality. However, since the worthy are honored, as in the case of the strong personality entrusted with leadership by the ruler, it is an advantage not to eat at home but rather to earn ones bread by entering upon public office. Such a man is in harmony with heaven, and therefore even great and difficult undertakings, such as crossing the great water, succeed.
Heaven within the mountain points to hidden treasures. In the words and deeds of the past there lies hidden a treasure that men may use to strengthen and elevate their own characters. The way to study the past is not to confine oneself to mere knowledge of history but, through application of this knowledge, to give actuality to the past.
Above: KÊN KEEPING STILL, MOUNTAIN
Below: CH`IEN THE CREATIVE, HEAVEN
The Creative is tamed by Kên, Keeping Still. This produces great power, a situation in contrast to that of the ninth hexagram, Hsiao Ch`u, THE TAMING POWER OF THE SMALL, in which the Creative is tamed by the Gentle alone. There one weak line must tame five strong lines, but here four strong lines are restrained by two weak lines. In addition to a minister, there is a prince, and the restraining power therefore is far stronger. The hexagram has a threefold meaning, expressing different aspects of the concept "holding firm". Heaven within the mountain gives the idea of holding firm in the sense of holding together, as the trigram Kên which holds the trigram Ch`ien still, and gives the idea of holding firm in the sense of holding back. The third idea is that of holding firm in the sense of caring for and nourishing. This last is suggested by the fact that a strong line at the top, which is the ruler of the hexagram, is honored and tended to as a sage. The third of these meanings also attaches specifically to this strong line at the top, which represents the sage.
The Judgement
THE TAMING POWER OF THE GREAT. Perseverance furthers. Not eating at home brings good fortune. It furthers one to cross the great water.To hold firmly to great creative powers and store them up, as set forth in this hexagram, there is need of a strong, clear-headed man who is honored by the ruler. The trigram Ch`ein points to strong creative power, and Kên indicates firmness and truth. Both point to light and clarity and to the daily renewal of character. Only through such daily self-renewal can a man continue at the height of his powers. Force of habit helps to keep order in quiet times, but in periods when there is a great storing up of energy, everything depends on the power of the personality. However, since the worthy are honored, as in the case of the strong personality entrusted with leadership by the ruler, it is an advantage not to eat at home but rather to earn ones bread by entering upon public office. Such a man is in harmony with heaven, and therefore even great and difficult undertakings, such as crossing the great water, succeed.
The Image
Heaven within the mountain: The image of THE TAMING POWER OF THE GREAT. Thus, the superior man acquaints himself with many sayings of antiquity, and many deeds of the past, in order to strengthen his character.Heaven within the mountain points to hidden treasures. In the words and deeds of the past there lies hidden a treasure that men may use to strengthen and elevate their own characters. The way to study the past is not to confine oneself to mere knowledge of history but, through application of this knowledge, to give actuality to the past.
Changing
Nine in the third place means:
In the light of the setting sun, men either beat the pot and sing, or loudly bewail the approach of old age. Misfortune.
Here the end of the day has come. The light of the setting sun calls to mind the fact that life is transitory and conditional. Caught in this external bondage, men are usually robbed of their inner freedom as well. The sense of the transitory nature of life impels them to uninhibited revelry in order to enjoy life while it lasts, or else they yield to melancholy and spoil the precious time by lamenting the approach of old age. Both attitudes are wrong. To the superior man it makes no difference whether death comes early or late. He cultivates himself, awaits his allotted time, and in this way secures his fate.
In the light of the setting sun, men either beat the pot and sing, or loudly bewail the approach of old age. Misfortune.
Here the end of the day has come. The light of the setting sun calls to mind the fact that life is transitory and conditional. Caught in this external bondage, men are usually robbed of their inner freedom as well. The sense of the transitory nature of life impels them to uninhibited revelry in order to enjoy life while it lasts, or else they yield to melancholy and spoil the precious time by lamenting the approach of old age. Both attitudes are wrong. To the superior man it makes no difference whether death comes early or late. He cultivates himself, awaits his allotted time, and in this way secures his fate.
Six in the fifth place means:
Tears in floods, sighing and lamenting. Good fortune.
Here the zenith of life has been reached. Were there no warning, one would at this point consume oneself like a flame. Instead, understanding the vanity of all things, one may put aside both hope and fear, and sigh and lament. If one is intent on retaining his clarity of mind, good fortune will come from this grief. For here we are dealing not with a passing mood, as in the nine in the third place, but with a real change of heart.
Tears in floods, sighing and lamenting. Good fortune.
Here the zenith of life has been reached. Were there no warning, one would at this point consume oneself like a flame. Instead, understanding the vanity of all things, one may put aside both hope and fear, and sigh and lament. If one is intent on retaining his clarity of mind, good fortune will come from this grief. For here we are dealing not with a passing mood, as in the nine in the third place, but with a real change of heart.
Transformed
30 - Li / The Clinging, Fire
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
The Judgement
THE CLINGING. Perseverance furthers. It brings success. Care of the cow brings good fortune.What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
The Image
That which is bright rises twice: The image of FIRE. Thus the great man, by perpetuating this brightness, illumines the four quarters of the world.Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.