I-Ching
Current
Changing
Transformed
Current
03 - Chun / Difficulty at the Beginning
Above: K`AN THE ABYSMAL, WATER
Below: CHÊN THE AROUSING, THUNDER
The name of the hexagram, Chun, really connotes a blade of grass pushing against an obstacle as it sprouts out of the earth–hence the meaning, "difficulty at the beginning". The hexagram indicates the way in which heaven and earth bring forth individual beings. It is their first meeting, which is beset with difficulties. The lower trigram Chên is the Arousing; its motion is upward and its image is thunder. The upper trigram K`an, stands for the abysmal, and the dangerous. Its motion is downward and its image is rain. The situation points to teeming, chaotic profusion; thunder and rain fill the air. But the chaos clears up. While the Abysmal sinks, the upward movement eventually passes beyond the danger. A thunderstorm brings release from tension, and all things breathe freely again.
Furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Times of growth are beset with difficulties. They resemble a first birth. But these difficulties arise from the very profusion of all that is struggling to attain form. Everything is in motion, therefore if one perseveres there is a prospect of great success, in spite of the existing danger. When it is a persons fate to undertake such new beginnings, everything is still unformed, dark. Hence, he must hold back, because any premature move might bring disaster. Likewise, it is very important not to remain alone because in order to overcome the chaos he needs helpers. This is not to say, however, that he himself should look on passively at what is happening. He must lend his hand and participate with inspiration and guidance.
Thus, the superior man brings order out of confusion.
Clouds and thunder are represented by definite decorative lines; this means that in the chaos of difficulty at the beginning, order is already implicit. So too, the superior man has to arrange and organize the inchoate profusion of such times of beginning, just as one sorts out silk threads from a knotted tangle and binds them into skeins. In order to find ones place in the infinity of being, one must be able both to separate and to unite.
Above: K`AN THE ABYSMAL, WATER
Below: CHÊN THE AROUSING, THUNDER
The name of the hexagram, Chun, really connotes a blade of grass pushing against an obstacle as it sprouts out of the earth–hence the meaning, "difficulty at the beginning". The hexagram indicates the way in which heaven and earth bring forth individual beings. It is their first meeting, which is beset with difficulties. The lower trigram Chên is the Arousing; its motion is upward and its image is thunder. The upper trigram K`an, stands for the abysmal, and the dangerous. Its motion is downward and its image is rain. The situation points to teeming, chaotic profusion; thunder and rain fill the air. But the chaos clears up. While the Abysmal sinks, the upward movement eventually passes beyond the danger. A thunderstorm brings release from tension, and all things breathe freely again.
The Judgement
DIFFICULTY AT THE BEGINNING works supreme success.Furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Times of growth are beset with difficulties. They resemble a first birth. But these difficulties arise from the very profusion of all that is struggling to attain form. Everything is in motion, therefore if one perseveres there is a prospect of great success, in spite of the existing danger. When it is a persons fate to undertake such new beginnings, everything is still unformed, dark. Hence, he must hold back, because any premature move might bring disaster. Likewise, it is very important not to remain alone because in order to overcome the chaos he needs helpers. This is not to say, however, that he himself should look on passively at what is happening. He must lend his hand and participate with inspiration and guidance.
The Image
Clouds and thunder: The image of DIFFICULTY AT THE BEGINNING.Thus, the superior man brings order out of confusion.
Clouds and thunder are represented by definite decorative lines; this means that in the chaos of difficulty at the beginning, order is already implicit. So too, the superior man has to arrange and organize the inchoate profusion of such times of beginning, just as one sorts out silk threads from a knotted tangle and binds them into skeins. In order to find ones place in the infinity of being, one must be able both to separate and to unite.
Changing
Nine at the beginning means:
He lends grace to his toes, leaves the carriage, and walks.
A beginner in a subordinate place must take upon himself the labor of advancing. There might be an opportunity of surreptitiously easing the way, symbolized by the carriage, but a self-contained man scorns help gained in a dubious fashion. He thinks it more graceful to go on foot than to drive in a carriage under false pretenses.
He lends grace to his toes, leaves the carriage, and walks.
A beginner in a subordinate place must take upon himself the labor of advancing. There might be an opportunity of surreptitiously easing the way, symbolized by the carriage, but a self-contained man scorns help gained in a dubious fashion. He thinks it more graceful to go on foot than to drive in a carriage under false pretenses.
Six in the second place means:
He lends grace to the beard on his chin.
The beard is not an independent thing, it moves only with the chin. The image therefore means that form is to be considered only as a result and attribute of content. The beard is a superfluous ornament. To devote care to it for its own sake, without regard for the inner content of which it is an ornament, would bespeak a certain vanity.
He lends grace to the beard on his chin.
The beard is not an independent thing, it moves only with the chin. The image therefore means that form is to be considered only as a result and attribute of content. The beard is a superfluous ornament. To devote care to it for its own sake, without regard for the inner content of which it is an ornament, would bespeak a certain vanity.
Six in the fourth place means:
Grace or simplicity? A white horse comes as if on wings. He is not a robber, and he will woo at the right time.
An individual is in a situation in which doubts arise as to which is better: to pursue the grace of external brilliance, or to return to simplicity. The doubt itself implies the answer. Confirmation comes from the outside like a white winged horse. The white color indicates simplicity. At first, it may be disappointing to renounce the comforts that might have been obtained, yet one finds peace of mind in a true relationship with the friend who courts him. The winged horse is the symbol of the thoughts that transcend all limits of space and time.
Grace or simplicity? A white horse comes as if on wings. He is not a robber, and he will woo at the right time.
An individual is in a situation in which doubts arise as to which is better: to pursue the grace of external brilliance, or to return to simplicity. The doubt itself implies the answer. Confirmation comes from the outside like a white winged horse. The white color indicates simplicity. At first, it may be disappointing to renounce the comforts that might have been obtained, yet one finds peace of mind in a true relationship with the friend who courts him. The winged horse is the symbol of the thoughts that transcend all limits of space and time.
Transformed
22 - Pi / Grace
Above: KÊN KEEPING STILL, MOUNTAIN
Below: LI THE CLINGING, FIRE
This hexagram shows a fire that breaks out of the secret depths of the earth and, blazing up, illuminates and beautifies the mountain and the heavenly heights. Grace and beauty of form is necessary in any union if it is to be well-ordered and pleasing rather than disordered and chaotic.
Grace brings success. However, it is not the essential or fundamental thing, it is only an ornament and therefore must be used sparingly and only for little things. In the lower trigram of fire, a yielding line comes between two strong lines and makes them beautiful, but the strong lines are the essential content and the weak line is the beautifying form. In the upper trigram of the mountain, the strong line takes the lead, so here again the strong element must be regarded as the decisive factor.
In nature, we see in the sky the strong light of the sun which the life of the world depends on. But this strong, essential thing is changed and given pleasing variety by the moon and the stars. In human affairs, aesthetic form comes into being when traditions exist that, strong and abiding like mountains, are made pleasing by a lucid beauty. By contemplating the forms existing in the heavens we come to understand time and its changing demands. Through contemplation of the forms existing in human society it becomes possible to shape the world.
The fire, whose light illuminates the mountain and makes it pleasing, does not shine far. In the same way, beautiful form suffices to brighten and to throw light upon matters of lesser moment, but important questions cannot be decided in this way. They require greater earnestness.
Above: KÊN KEEPING STILL, MOUNTAIN
Below: LI THE CLINGING, FIRE
This hexagram shows a fire that breaks out of the secret depths of the earth and, blazing up, illuminates and beautifies the mountain and the heavenly heights. Grace and beauty of form is necessary in any union if it is to be well-ordered and pleasing rather than disordered and chaotic.
The Judgement
GRACE has success in small matters. It is favorable to undertake something.Grace brings success. However, it is not the essential or fundamental thing, it is only an ornament and therefore must be used sparingly and only for little things. In the lower trigram of fire, a yielding line comes between two strong lines and makes them beautiful, but the strong lines are the essential content and the weak line is the beautifying form. In the upper trigram of the mountain, the strong line takes the lead, so here again the strong element must be regarded as the decisive factor.
In nature, we see in the sky the strong light of the sun which the life of the world depends on. But this strong, essential thing is changed and given pleasing variety by the moon and the stars. In human affairs, aesthetic form comes into being when traditions exist that, strong and abiding like mountains, are made pleasing by a lucid beauty. By contemplating the forms existing in the heavens we come to understand time and its changing demands. Through contemplation of the forms existing in human society it becomes possible to shape the world.
The Image
Fire at the foot of the mountain: The image of GRACE. Thus, does the superior man proceed when clearing up current affairs, but he dare not decide controversial issues in this way.The fire, whose light illuminates the mountain and makes it pleasing, does not shine far. In the same way, beautiful form suffices to brighten and to throw light upon matters of lesser moment, but important questions cannot be decided in this way. They require greater earnestness.