I-Ching
Current
Changing
Transformed
Current
16 - Yü / Enthusiasm
Above: CHÊN THE AROUSING, THUNDER
Below: K`UN THE RECEPTIVE, EARTH
The strong line in the fourth place, that of the leading official, meets with response and obedience from all the other lines, which are all weak. The attribute of the upper trigram, Chên, is movement; the attributes of K`un, the lower, are obedience and devotion. This begins a movement that meets with devotion and therefore inspires enthusiasm, carrying all with it. Of great importance, furthermore, is the law of movement along the lines of least resistance, which in this hexagram is enunciated as the law for natural events and for human life.
The time of ENTHUSIASM derives from the fact that there is at hand an eminent man who is in sympathy with the spirit of the people and acts in accord with it. Hence, he finds universal and willing obedience. To arouse enthusiasm it is necessary for a man to adjust himself and his ordinances to the character of those whom he has to lead. The inviolability of natural laws rests on this principle of movement along the lines of least resistance. These laws are not forces external to things but represent the harmony of movement immanent in them. That is why the celestial bodies do not deviate from their orbits and why all events in nature occur with fixed regularity. It is the same with human society: only such laws are rooted in popular sentiment can be enforced, while laws violating this sentiment merely arouse resentment.
Again, it is enthusiasm that enables us to install helpers for the completion of an undertaking without fear of secret opposition. It is enthusiasm too, that can unify mass movements, as in war, so that they achieve victory.
When, at the beginning of summer, thunder and electrical energy comes rushing forth from the earth again, and the first thunderstorms refresh nature, a prolonged state of tension is resolved. Joy and relief make themselves felt. So too, music has power to ease tension within the heart and to loosen the grip of obscure emotions. The enthusiasm of the heart expresses itself involuntarily in a burst of song, in dance and rhythmic movement of the body. From immemorial times the inspiring effect of the invisible sound that moves all hearts, and draws them together, has mystified mankind.
Rulers have made use of this natural taste for music, and they elevated and regulated it. Music was looked upon as something serious and holy, designed to purify the feelings of men. It fell to music to glorify the virtues of heroes and thus to construct a bridge to the world of the unseen. In the temple men drew near to God with music and pantomimes (out of this later the theater developed). Religious feeling for the Creator of the world was united with the most sacred of human feelings, that of reverence for the ancestors. The ancestors were invited to these divine services as guests. of the Ruler of Heaven and as representatives of humanity in the higher regions. This uniting of the human past with the Divinity in solemn moments of religious inspiration established the bond between God and man. The ruler who revered the Divinity in revering his ancestors became thereby the Son of Heaven, in whom the heavenly and the earthly world met in mystical contact.
These ideas are the final summation of Chinese culture. Confucius has said of the great sacrifice at which these rites were performed: "He who could wholly comprehend this sacrifice could rule the world as though it were spinning on his hand.".
Above: CHÊN THE AROUSING, THUNDER
Below: K`UN THE RECEPTIVE, EARTH
The strong line in the fourth place, that of the leading official, meets with response and obedience from all the other lines, which are all weak. The attribute of the upper trigram, Chên, is movement; the attributes of K`un, the lower, are obedience and devotion. This begins a movement that meets with devotion and therefore inspires enthusiasm, carrying all with it. Of great importance, furthermore, is the law of movement along the lines of least resistance, which in this hexagram is enunciated as the law for natural events and for human life.
The Judgement
ENTHUSIASM. It furthers one to install helpers, and to set armies marching.The time of ENTHUSIASM derives from the fact that there is at hand an eminent man who is in sympathy with the spirit of the people and acts in accord with it. Hence, he finds universal and willing obedience. To arouse enthusiasm it is necessary for a man to adjust himself and his ordinances to the character of those whom he has to lead. The inviolability of natural laws rests on this principle of movement along the lines of least resistance. These laws are not forces external to things but represent the harmony of movement immanent in them. That is why the celestial bodies do not deviate from their orbits and why all events in nature occur with fixed regularity. It is the same with human society: only such laws are rooted in popular sentiment can be enforced, while laws violating this sentiment merely arouse resentment.
Again, it is enthusiasm that enables us to install helpers for the completion of an undertaking without fear of secret opposition. It is enthusiasm too, that can unify mass movements, as in war, so that they achieve victory.
The Image
Thunder comes resounding out of the earth: The image of ENTHUSIASM. Thus, the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, and inviting their ancestors to be present.When, at the beginning of summer, thunder and electrical energy comes rushing forth from the earth again, and the first thunderstorms refresh nature, a prolonged state of tension is resolved. Joy and relief make themselves felt. So too, music has power to ease tension within the heart and to loosen the grip of obscure emotions. The enthusiasm of the heart expresses itself involuntarily in a burst of song, in dance and rhythmic movement of the body. From immemorial times the inspiring effect of the invisible sound that moves all hearts, and draws them together, has mystified mankind.
Rulers have made use of this natural taste for music, and they elevated and regulated it. Music was looked upon as something serious and holy, designed to purify the feelings of men. It fell to music to glorify the virtues of heroes and thus to construct a bridge to the world of the unseen. In the temple men drew near to God with music and pantomimes (out of this later the theater developed). Religious feeling for the Creator of the world was united with the most sacred of human feelings, that of reverence for the ancestors. The ancestors were invited to these divine services as guests. of the Ruler of Heaven and as representatives of humanity in the higher regions. This uniting of the human past with the Divinity in solemn moments of religious inspiration established the bond between God and man. The ruler who revered the Divinity in revering his ancestors became thereby the Son of Heaven, in whom the heavenly and the earthly world met in mystical contact.
These ideas are the final summation of Chinese culture. Confucius has said of the great sacrifice at which these rites were performed: "He who could wholly comprehend this sacrifice could rule the world as though it were spinning on his hand.".
Changing
Nine in the fourth place means:
No blame. He meets him without passing by. Going brings danger. One must be on guard. Do not act. Be constantly persevering.
Hardness of character is tempered by yielding position so that no mistakes are made. The situation here calls for extreme caution, as one must make no attempt of ones own initiative to reach the desired end. And if one were to go on, endeavoring to force his way to the goal, he would be endangered. Therefore, one must be on guard and not act but continue inwardly to persevere.
No blame. He meets him without passing by. Going brings danger. One must be on guard. Do not act. Be constantly persevering.
Hardness of character is tempered by yielding position so that no mistakes are made. The situation here calls for extreme caution, as one must make no attempt of ones own initiative to reach the desired end. And if one were to go on, endeavoring to force his way to the goal, he would be endangered. Therefore, one must be on guard and not act but continue inwardly to persevere.
Transformed
62 - Hsiao Kuo / Preponderance of the Small
Above: CHÊN THE AROUSING, THUNDER
Below: KÊN KEEPING STILL, MOUNTAIN
While in the hexagram Ta Kuo, PREPONDERANCE OF THE GREAT (28), the strong lines preponderate and are within, enclosed between weak lines at the top and bottom, the present hexagram has weak lines preponderating, though here again they are on the outside, the strong lines being within. This indeed is the basis of the exceptional situation indicated by the hexagram. When strong lines are outside, we have the hexagram I, PROVIDING NOURISHMENT (27), or Chung Fu, INNER TRUTH, (61), and neither represents an exceptional state. When strong elements within preponderate, they necessarily enforce their will. This creates struggle and exceptional conditions in general. In the present hexagram it is the weak element that perforce must mediate with the outside world. If a man occupies a position of authority for which he is by nature really inadequate, extraordinary prudence is necessary.
Exceptional modesty and conscientiousness are sure to be rewarded with success, however if a man is not to throw himself away, it is important that they should not become empty form and subservience, but be combined always with a correct dignity in personal behavior. We must understand the demands of the time in order to find the necessary offset for its deficiencies and damages. In any event we must not count on great success, since the requisite strength is lacking. In this lies the importance of the message that one should not strive after lofty things but hold to lowly things. The structure of the hexagram gives rise to the idea that this message is brought by a bird. In Ta Kuo, PREPONDERANCE OF THE GREAT (28), the four strong, heavy lines within, supported only by two weak lines without, give the image of a sagging ridgepole. Here the supporting weak lines are both outside and preponderant, and this gives the image of a soaring bird. A bird should not try to surpass itself and fly into the sun, but rather it should descend to the earth, where its nest is. In this way it gives the message conveyed by the hexagram.
Thunder on the mountain is different from thunder on the plain. In the mountains, thunder seems much nearer, but outside the mountains, it is less audible than the thunder of an ordinary storm. Thus, the superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions. In bereavement emotion means more to him than ceremoniousness. In all his personal expenditures he is extremely simple and unpretentious. In comparison with the man of the masses, all this makes him stand out as exceptional. The essential significance of his attitude lies in the fact that in external matters he is on the side of the lowly.
Above: CHÊN THE AROUSING, THUNDER
Below: KÊN KEEPING STILL, MOUNTAIN
While in the hexagram Ta Kuo, PREPONDERANCE OF THE GREAT (28), the strong lines preponderate and are within, enclosed between weak lines at the top and bottom, the present hexagram has weak lines preponderating, though here again they are on the outside, the strong lines being within. This indeed is the basis of the exceptional situation indicated by the hexagram. When strong lines are outside, we have the hexagram I, PROVIDING NOURISHMENT (27), or Chung Fu, INNER TRUTH, (61), and neither represents an exceptional state. When strong elements within preponderate, they necessarily enforce their will. This creates struggle and exceptional conditions in general. In the present hexagram it is the weak element that perforce must mediate with the outside world. If a man occupies a position of authority for which he is by nature really inadequate, extraordinary prudence is necessary.
The Judgement
PREPONDERANCE OF THE SMALL. Success. Perseverance furthers. Small things may be done, and great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.Exceptional modesty and conscientiousness are sure to be rewarded with success, however if a man is not to throw himself away, it is important that they should not become empty form and subservience, but be combined always with a correct dignity in personal behavior. We must understand the demands of the time in order to find the necessary offset for its deficiencies and damages. In any event we must not count on great success, since the requisite strength is lacking. In this lies the importance of the message that one should not strive after lofty things but hold to lowly things. The structure of the hexagram gives rise to the idea that this message is brought by a bird. In Ta Kuo, PREPONDERANCE OF THE GREAT (28), the four strong, heavy lines within, supported only by two weak lines without, give the image of a sagging ridgepole. Here the supporting weak lines are both outside and preponderant, and this gives the image of a soaring bird. A bird should not try to surpass itself and fly into the sun, but rather it should descend to the earth, where its nest is. In this way it gives the message conveyed by the hexagram.
The Image
Thunder on the mountain: The image of PREPONDERANCE OF THE SMALL. Thus, in his conduct the superior man gives preponderance to reverence. In bereavement, he gives preponderance to grief. In his expenditures he gives preponderance to thrift.Thunder on the mountain is different from thunder on the plain. In the mountains, thunder seems much nearer, but outside the mountains, it is less audible than the thunder of an ordinary storm. Thus, the superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions. In bereavement emotion means more to him than ceremoniousness. In all his personal expenditures he is extremely simple and unpretentious. In comparison with the man of the masses, all this makes him stand out as exceptional. The essential significance of his attitude lies in the fact that in external matters he is on the side of the lowly.