I-Ching
Current
Changing
Transformed
Current
30 - Li / The Clinging, Fire
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.
Above: LI THE CLINGING, FIRE
Below: LI THE CLINGING, FIRE
This hexagram is another double sign. The trigram Li means "to cling to something, to be conditioned, or to depend or rest on something", and also "brightness". A dark line clings to two light lines, one above and one below, creating the image of an empty space between two strong lines, whereby the two strong lines are made bright. The trigram represents the middle daughter. The Creative has incorporated the central line of the Receptive, and thus Li develops. As an image, it is fire. Fire has no definite form but clings to the burning object and thus is bright. As water pours down from heaven, so fire flames up from the earth. While K`an means the soul shut within the body, Li stands for nature in its radiance.
The Judgement
THE CLINGING. Perseverance furthers. It brings success. Care of the cow brings good fortune.What is dark clings to what is light and so enhances its brightness. A luminous thing giving out light must have within itself something that perseveres, otherwise it will in time burn itself out. Everything that gives light is dependent on something to which it clings, in order that it may continue to shine.
Thus, the sun and moon cling to heaven, and grain, grass, and trees cling to the earth. So too, the twofold clarity of the dedicated man clings to what is right and thereby can shape the world. Human life on earth is conditioned and unfree, and when man recognizes this limitation and makes himself dependent upon the harmonious and beneficent forces of the cosmos, he achieves success. The cow is the symbol of extreme docility. By cultivating in himself an attitude of compliance and voluntary dependence, man acquires clarity without sharpness and finds his place in the world.
The Image
That which is bright rises twice: The image of FIRE. Thus the great man, by perpetuating this brightness, illumines the four quarters of the world.Each of the two trigrams represents the sun in the course of a day. The two together represent the repeated movement of the sun, the function of light with respect to time. The great man continues the work of nature in the human world. Through the clarity of his nature he causes the light to spread farther and farther and to penetrate the nature of man ever more deeply.
Changing
Six in the second place means:
He holds him fast with yellow ox-hide. No one can tear him loose.
Yellow is the color of the middle. It indicates that which is correct and in line with duty. Ox-hide is strong and not to be torn.
While the superior men retreat and the inferior press after them, the inferior man represented here holds on so firmly and tightly to the superior man that the latter cannot shake him off. Because he is in quest of what is right and so strong in purpose, he reaches his goal. Thus, the line confirms what is said in the Judgment: "In what is small" is equivalent to "In the inferior man, perseverance furthers".
He holds him fast with yellow ox-hide. No one can tear him loose.
Yellow is the color of the middle. It indicates that which is correct and in line with duty. Ox-hide is strong and not to be torn.
While the superior men retreat and the inferior press after them, the inferior man represented here holds on so firmly and tightly to the superior man that the latter cannot shake him off. Because he is in quest of what is right and so strong in purpose, he reaches his goal. Thus, the line confirms what is said in the Judgment: "In what is small" is equivalent to "In the inferior man, perseverance furthers".
Nine at the top means:
Cheerful retreat. Everything serves to further.
The situation is unequivocal. Inner detachment has become an established fact, and we are at liberty to depart. When one sees the way ahead thus clearly, free of all doubt, a cheerful mood sets in, and one chooses what is right without further thought. Such a clear path ahead always leads to the good.
Cheerful retreat. Everything serves to further.
The situation is unequivocal. Inner detachment has become an established fact, and we are at liberty to depart. When one sees the way ahead thus clearly, free of all doubt, a cheerful mood sets in, and one chooses what is right without further thought. Such a clear path ahead always leads to the good.
Transformed
33 - TUN / Retreat
Above: CH`IEN THE CREATIVE, HEAVEN
Below: KÊN KEEPING STILL, MOUNTAIN
The power of the dark is ascending. The light retreats to security, so that the dark cannot encroach upon it. This retreat is a matter not of mans will but of natural law. Therefore, in this case withdrawal is proper. It is the correct way to behave in order not to exhaust ones forces.
In the calendar, this hexagram is linked with the sixth month (July-August), in which the forces of winter are already showing their influence.
Conditions are such that the hostile forces favored by the time are advancing. In this case retreat is the right course, and it is not to be confused with flight. Flight means saving oneself under any circumstances, whereas retreat is a sign of strength. We must be careful not to miss the right moment while we are in full possession of power and position. Then we shall be able to interpret the signs of the time before it is too late and to prepare for provisional retreat instead of being drawn into a desperate life-and-death struggle. Thus, we do not simply abandon the field to the opponent, but we make it difficult for him to advance by showing perseverance in single acts of resistance. In this way we prepare, while retreating, for the counter-movement. Understanding the laws of a constructive retreat of this sort is not easy. The meaning that lies hidden in such a time is important.
The mountain rises up under heaven, but owing to its nature it finally comes to a stop. Heaven on the other hand retreats upward before it into the distance and remains out of reach. This symbolizes the behavior of the superior man toward a climbing inferior. He retreats into his own thoughts as the inferior man comes forward. He does not hate him, for hatred is a form of subjective involvement by which we are bound to the hated object. The superior man shows strength (heaven) in that he brings the inferior man to a standstill (mountain) by his dignified reserve.
Above: CH`IEN THE CREATIVE, HEAVEN
Below: KÊN KEEPING STILL, MOUNTAIN
The power of the dark is ascending. The light retreats to security, so that the dark cannot encroach upon it. This retreat is a matter not of mans will but of natural law. Therefore, in this case withdrawal is proper. It is the correct way to behave in order not to exhaust ones forces.
In the calendar, this hexagram is linked with the sixth month (July-August), in which the forces of winter are already showing their influence.
The Judgement
RETREAT. Success in what is small, perseverance furthers.Conditions are such that the hostile forces favored by the time are advancing. In this case retreat is the right course, and it is not to be confused with flight. Flight means saving oneself under any circumstances, whereas retreat is a sign of strength. We must be careful not to miss the right moment while we are in full possession of power and position. Then we shall be able to interpret the signs of the time before it is too late and to prepare for provisional retreat instead of being drawn into a desperate life-and-death struggle. Thus, we do not simply abandon the field to the opponent, but we make it difficult for him to advance by showing perseverance in single acts of resistance. In this way we prepare, while retreating, for the counter-movement. Understanding the laws of a constructive retreat of this sort is not easy. The meaning that lies hidden in such a time is important.
The Image
Mountain under heaven: the image of RETREAT. Thus, the superior man keeps the inferior man at a distance, not angrily but with reserve.The mountain rises up under heaven, but owing to its nature it finally comes to a stop. Heaven on the other hand retreats upward before it into the distance and remains out of reach. This symbolizes the behavior of the superior man toward a climbing inferior. He retreats into his own thoughts as the inferior man comes forward. He does not hate him, for hatred is a form of subjective involvement by which we are bound to the hated object. The superior man shows strength (heaven) in that he brings the inferior man to a standstill (mountain) by his dignified reserve.